Despite being neighbouring provinces with long ranching histories, British Columbia and Alberta saw their ranching techniques develop quite differently. As most ranching styles were based on one of the two dominant styles in use south of the border, BC ranchers tended to adopt the California style whereas Alberta took its lead from Texas. But the different practices actually go back much further. Cattle cultures in southwestern Spain, sub-Saharan Africa and the British highlands all shaped the basis of North American ranching. Digging deep into the origins of cowboy culture, Ken Mather tells the stories of men and women on the ranching frontiers of British Columbia and Alberta and reveals little-known details that help us understand the beginnings of ranching in these two provinces.

An entertaining, fast-paced look at early ranching in British Columbia. Frontier historian Ken Mather is known for his fascinating, in-depth profiles of the men and women who established a distinctive ranching culture in Western Canada over a hundred years ago. Now, in this concise collection of stories—based on Mather’s column in the Vernon Morning Star—readers will meet even more colourful characters, gain insightful tidbits on cowboy culture, and read about little-known cattle drives that stagger the imagination. Ranch Tales highlights the achievements, hardships, and exploits of Newman “King of the Range” Squires, “lady rancher” Elizabeth Greenbow, cow boss Joe Coutlee, the gold-seeking Jeffries brothers who came all the way from Alabama, and many more. This delightful book is a perfect companion to Mather’s other ranching histories and will appeal to anyone interested in the early days of the western frontier.

A visually rich, historically epic tale of cattle ranching in southern Alberta, focusing on multi-generational family-owned ranches that are still in existence today. In the 1880s, a group of fledgling cattle ranchers descended on the plains of southern Alberta. They were drawn by the promise of the West, where the grass seemed endless and they could ranch under the arch of the Chinook-the warm Pacific wind that swooped down the eastern slopes of the Rockies to melt the snow and clear the land for year-round grazing. They came with wild optimism, but their ambition was soon tempered by the brutal reality of a frontier land. Ranching under the Arch is a tale of survival, perseverance, and prosperity in the face of struggle, loss, and loneliness. Following over a dozen ranches still in operation that have roots dating to the late nineteenth century, historian D. Larraine Andrews recounts the culture that developed around this unique vocation. These ranches have endured as vibrant enterprises, sometimes into the fifth generation of the same family, sometimes with new faces and dreams to change the focus of the narrative. Drawing from historical archives, diaries, and personal accounts, and illustrated by informative maps, fascinating archival imagery, and stunning contemporary photography, Ranching under the Arch is an epic portrait of the "Cattle Kingdom" and its place in Alberta history.

The Black Prairie Archives: An Anthology recovers a new regional archive of “black prairie” literature, and includes writing that ranges from work by nineteenth-century black fur traders and pioneers, all of it published here for the first time, to contemporary writing of the twenty-first century. This anthology establishes a new black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as black writers or as “prairie” people. Their letters, recipes, oral literature, autobiographies, rap, and poetry- provide vivid glimpses into the reality of their lived experiences and give meaning to them. The book includes introductory notes for each writer in non-specialist language, and notes to assist readers in their engagement with the literature. This archive and its supporting text offer new scholarly and pedagogical possibilities by expanding the nation’s and the region’s archives. They enrich our understanding of black Canada by bringing to light the prairies' black histories, cultures, and presences.

Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.