This study examines the work of Charles Sealsfield (1793-1864), the Moravian-American writer, whose fiction marked the first serious literary treatment of America in the German language. More specifically, Sealsfield's work is discussed in the light of his experience in America and, above all, in the light of his change of identity from Karl Anton Postl - Moravian monk to Charles Sealsfield - American writer. It employs two concepts - frontier and utopia - to show how Sealsfield was influenced by the antebellum tradition in America, and how he, in turn, used the governing myths and symbols of his time to create an important statement about the relationship between ideology and power in the Age of Jackson.

This study examines the work of Charles Sealsfield (1793-1864), the Moravian-American writer, whose fiction marked the first serious literary treatment of America in the German language. More specifically, Sealsfield's work is discussed in the light of his experience in America and, above all, in the light of his change of identity from Karl Anton Postl - Moravian monk to Charles Sealsfield - American writer. It employs two concepts - frontier and utopia - to show how Sealsfield was influenced by the antebellum tradition in America, and how he, in turn, used the governing myths and symbols of his time to create an important statement about the relationship between ideology and power in the Age of Jackson.

This book features a panorama of the lives of selected personalities, whose roots had origin in the Czech lands and who, in the US, reached extraordinary success and who, with their activities, substantially influenced the growth and development of their new homeland. It is a saga of plain, as well as powerful, people whose influence and importance often exceeded the borders of the US. A great portion of included individuals may be unknown to readers since it concerns persons whose Czech origin was usually not known. The book covers the total period from the times of the discovery of New World to the end of the twentieth century. During the selection, little concern was given to nationalistic or ethnographic criteria, the only prerequisite was that the respected individuals were either born on the territory of the Czech lands or were descendants of emigrants from the Czech lands. The image on the front cover is a portrait of Augustine Herman, Lord of Bohemia Manor, the first documented Czech immigrant in the United States. The portrait comes from his famous Map of Maryland and Virginia, dated 1670. The colorful story of his life would be unbelievable if made into a movie. Pioneer, merchant, explorer, surveyor, map maker, patriot, rebel, diplomat, and finally Lord! Read more about him in the book.

Europe's Indians, Indians in Europe is an accessible and multidisciplinary synopsis of European iconographies and cultural narratives related to Native Americans. In this pioneering work, European fascination with and phantasmagorias of 'Indianness' are comprehensively discussed, involving perspectives of history, literature, and cultural criticism. Topics range from so-called Pocahontas, paraded as an exotic souvenir princess in front of seventeenth-century Londoners, to Native Americans touring Europe as show token Indians with Buffalo Bill's Wild West show in the late nineteenth-century. European strategies of playing Indian include German dime novel artisan Karl May (1842-1912) and his literary fabrications of the 'vanishing race, ' which were utilized by National Socialist propaganda, as well as the Englishman Archibald Stansfeld Belaney (1888-1938) reinventing himself as Grey Owl, or contemporary Europeans, 'cloning' surrogate Indian identities and 'patenting' synthetic tribes. Covering a vast transatlantic spectrum of aspects and anecdotes, Europe's Indians, Indians in Europe is a seminal study for anyone interested in learning more about European motives, mythopoetics, and microcosms of 'dressing in feathers.'

This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.

This book attempts for the first time a comparative literary history of Germany and the USA in the nineteenth and twentieth centuries. Its material does not come from the familiar overlaps of individual German and American writers, but from the work of the literary historians of the two countries after 1815, when American intellectuals took Germany as a model for their project to create an American national literature. The first part of the book examines fundamental structural affinities between the two literary histories and the common problems these caused, especially in questions of canon, realism, aesthetics and in the marginalization of popular and women's writing. In the second part, significant figures whose work straddle the two literatures - from Sealsfield and Melville, Whitman and Thomas Mann to Nietzsche, Emerson and Bellow - are discussed in detail, and the arguments of the first part are shown in their relevance to understanding major writers. This book is not merely comparative in scope: it shows that only international comparison can explain the course of American literary history in the nineteenth and twentieth century. As recent developments in American Studies explore the multi-cultural and 'hybrid' nature of the American tradition, this book offers evidence of the dependencies which linked American and German national literary history.

This comprehensive encyclopedia details the close ties between the German-speaking world and the Americas, examining the extensive Germanic cultural and political legacy in the nations of the New World and the equally substantial influence of the Americas on the Germanic nations. From the medical discoveries of Dr. Johann Siegert, surgeon general to Simon Bolivar, to the amazing explorations of the early-19th-century German explorer Alexander von Humboldt, whose South American and Caribbean travels made him one of the most celebrated men in Europe, Germany and the Americas examines both the profound Germanic cultural and political legacy throughout the Americas and the lasting influence of American culture on the German-speaking world. Ever since Baron von Steuben helped create George Washington's army, German Americans have exhibited decisive leadership not only in the military, but also in politics, the arts, and business. Germany and the Americas charts the lasting links between the Germanic world and the nations of the Americas in a comprehensive survey featuring a chronology of key events spanning 400 years of transatlantic history.