Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.

In the 225 years since the United States Constitution was first drafted, no single book has addressed the key questions of what constitutions are designed to do, how they are structured, and why they matter. In From Words to Worlds, constitutional scholar Beau Breslin corrects this glaring oversight, singling out the essential functions that a modern, written constitution must incorporate in order to serve as a nation’s fundamental law. Breslin lays out and explains the basic functions of a modern constitution—including creating a new citizenry, structuring the institutions of government, regulating conflict between layers and branches of government, and limiting the power of the sovereign. He also discusses the theoretical concepts behind the fundamentals of written constitutions and examines in depth some of the most important constitutional charters from around the world. In assaying how states put structural ideas into practice, Breslin asks probing questions about why—and if—constitutions matter. Solidly argued and engagingly written, this comparative study in constitutional thought demonstrates clearly the key components that a state’s foundational document must address. Breslin draws a critically important distinction between constitutional texts and constitutional practice.

n this book, the reader is invited to enter a strange world in which you can tell the age of the captain by counting the animals on his ship, where runners do not get tired, and where water gets hotter when you add it to other water. It is the world of a curious genre, known as "word problems" or "story problems".

World Languages Review aims to examine the sociolinguistic situation of the world: to describe the linguistic diversity that currently characterizes humanity, to evaluate trends towards linguistic uniformity, and to establish a set of guidelines or language planning measures that favour the weaker or more endangered linguistic communities, so that anyone engaged in language planning -government officials, institution leaders, researchers, and community members- can implement these measures.

Belief in the Bible as God's authoritative revelation to humanity forms the bedrock of the Christian faith, laying the groundwork for nearly everything in the practice of theology. For the last 150 years or so, this doctrine has been put under the microscope of the modern age, with focused attention-and criticism-falling on three main subject areas: the authority of Scripture, the sufficiency of Scripture, and the interpretation of Scripture. Ancient Word, Changing Worlds tells the story of these developments in the doctrine of Scripture in the modern age, combining in one volume both narrative chapters and chapters devoted to primary source materials. This new genre of historical theology will appeal to general readers, who will be drawn in by the book's prose style, and students, who will benefit from features like timelines, charts, explanations of key terms, and introductions and explanatory notes for the primary source documents.

By carefully analyzing the text-semantic features of the texts of Genesis 1-11, this book offers a quite new perspective on the primaeval history. The first part of the book examines Genesis 1-11, which is usually read as a creation story concerning the human being in relation to God, in which the human being falls from bad to worse. In these text-semantic studies it is shown that such is not the case, especially in the rather exciting analysis of the story of the Tower of Babel. In the second part of the book the methodological framework of these text-semantic studies is presented.