"This book examines the radical change women underwent - and facilitated - from 1880 to 1927, by looking at five case studies of feminist performance: suffragist parades; feminist drama groups; the Gamut Club; the Provincetown Players; the Neighborhood Playhouse; and four successful female Broadway directors - Lillian Trimble Bradley, Rachel Crothers, Edith Ellis, and Minne Maddem Fikse. Viewed collectively, the chapters create an overarching argument as to the nature of firstwave feminist performance." --Book Jacket.

"Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS From published reviews “This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”—CHOICE “International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th Edition

Chronicles the history of the women’s rights and suffrage movements in New York State and examines the important role the state played in the national suffrage movement. The work for women’s suffrage started more than seventy years before the passage of the Nineteenth Amendment at the Seneca Falls Convention in 1848 when Elizabeth Cady Stanton, Lucretia Mott, and one hundred supporters signed the Declaration of Sentiments asserting that “all men and women are created equal.” This convention served as a catalyst for debates and action on both the national and state level, and on November 6, 1917, New York State passed the referendum for women’s suffrage. Its passing in New York signaled that the national passage of suffrage would soon follow. On August 18, 1920, “Votes for Women” was constitutionally granted. Votes for Women, an exhibition catalog, celebrates the pivotal role the state played in the struggle for equal rights in the nineteenth century, the campaign for New York State suffrage, and the ratification of the Nineteenth Amendment. It highlights the nationally significant role of state leaders in regards to women’s rights and the feminist movement through the early twenty-first century and includes focused essays from historians on the various aspects of the suffrage and equal rights movements around New York, providing greater detail about local stories with statewide significance. The exhibition of the same name, on display at the New York State Museum beginning November 2017, features artifacts from the New York State Museum, Library, and Archives, as well as historical institutions and private collections across the state. “There is something intimate, inspiring, and strengthening about seeing words created by and names in the handwriting of women who fought the earlier stages of the struggle for equality and shared humanity that is so crucial today. I’m grateful for this exhibit and catalog that are just the kind of reminder we need to keep going.” — Gloria Steinem “The New York State Museum has put on an extraordinary exhibit to commemorate the women’s suffrage movement and the Nineteenth Amendment, and I hope it inspires a new generation of women and men to raise their voices about all the injustices in their lives.” — Kirsten Gillibrand, United States Senator for New York State “Congratulations to Jennifer Lemak and Ashley Hopkins-Benton for their wonderful book, Votes for Women.The book, and the exhibition upon which it is based, are great gifts from the authors to all New Yorkers who seek to learn more about the varied and vital role women have played in history. The stories and images included in the book bring the valiant women who came before us vividly to life and challenge us to continue their fight for full equality for women.” — Pam Elam, President of the Elizabeth Cady Stanton and Susan B. Anthony Statue Fund

This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.

This exciting collaboration with the New York Times will reveal the untold stories of the diverse heroines who fought for the 19th amendment. On the 100th anniversary of the historic win for women's rights, it's time to celebrate the names and stories of the women whose courage helped change the fabric of America.

Praise for Alton Gansky's The Incumbent '...will keep you guessing until the very end ... most impressive is the character of mayor Maddy Glenn ... I recommend The Incumbent to any lover of good mystery.' -Tim LaHaye Mayor Madison Glenn has worked hard to get where she is. Standing on the bring of a brilliant congressional career, the last thing the colorful mayor of Santa Rita, California, needs is trouble. Enter Maddy's cousin, Catherine Anderson, a beautiful young actress newly returned to her hometown, Santa Rita, to take possession of her lavish new home and star in a local dinner theater production. And end the body of her chauffeur, floating in the swimming pool. As Maddy is determined to protect Catherine from danger, a revised script arrives at Catherine's door with a disturbing new dialog that suggests someone is watching Catherine's every move ... and waiting to make her part in the script turn deadly.