Janey shares how she got her break in the music business, the highs and lows of being a backing singer and what it was like touring with bands in the 80's and 90's. From being crammed in a minibus with Mari Wilson's band, to living the dream flying first class around the world, playing stadium gigs with George Michael and WHAM! Janey later became known as a co-presenter on Steve Wright in the Afternoon. Janey Lee Grace cut her teeth on the mic in the night clubs of Manchester and Birmingham and her first big singing break was with Mari Wilson and the Wilsations. After she was fired from the band for refusing to dye her hair canary yellow she was picked up by WHAM! Janey sang backing vocals with George Michael and Andrew Ridgely for all their tours including the infamous WHAM! China tour. Janey went on to tour/record with Boy George, Sinita, Kim Wilde and Natalie Cole and had her own UK top ten hit with Cola Boy and 7 Ways to Love - a dance floor sensation in the summer of love 1991. Janey moved from singing to presenting for ITV, VH-1 and Sky news followed by her own show on BBC Radio 2. After bumping into Steve Wright while she was a Virgin Radio Presenter, Janey became a co-presenter on Steve Wright in the Afternoonand regular stand in for Sunday Love Songs. She describes hustling her way into the world of radio presenting, both local and national - the pitfalls, the fun stuff, with lots of behind-the-scenes stories.

One day I took my daughter who was about seven, for a walk on the trails at the Back Bay in Portland, Maine. She was committed to walking the entire way around the bay, which is about six miles. Then about four miles into the walk she wanted to stop. There was really no way to do so. Instead her cleaver daddy wrote an instant poetry abomination that was so disgusting to sing, one could not do so without laughing. So, we changed the final two miles of the walk from a whining pity party to a laugh-a-minute musical march neither of us will ever forget. Welcome to "Birdie Poop!"

With actress Pam Grier's breakthrough in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films--genres that had previously been considered the domain of male protagonists. This ground-breaking cinema, however, was--and still is--viewed with ambivalence. While women were cast in new and exciting roles, they did not always arrive with their femininity intact, often functioning both as a sexualized spectacle and as a new female hero rather than female character. This volume contains an in-depth critical analysis and study of the female hero in popular film from 1970 to 2006. It examines five female archetypes: the dominatrix, the Amazon, the daughter, the mother and the rape-avenger. The entrance of the female hero into films written by, produced by and made for men is viewed through the lens of feminism and post-feminism arguments. Analyzed works include films with actors Michelle Yeoh and Meiko Kaji, the Alien films, the Lara Croft franchise, Charlie's Angels, and television productions such as Xena: Warrior Princess and Alias.

The Bachelor Firemen of San Gabriel have a rebel among them, and there's only one woman who can put his flames out. Firefighter Patrick "Psycho" Callahan earns his nickname every day. Fast, fit, and a furious worker, he thrives on the danger which helps him forget a near-tragedy that changed his life forever. But when his off-duty carousing gets out of hand, Patrick is sent back to Loveless, Nevada, where the wildfire threatening his hometown has nothing on sizzling Dr. Lara Nelson. Lara would rather be thought of as the physician who returned to Loveless than as the misfit brought up at a hippie New Age commune. But right now she's focused on the job at hand, patching up injured firemen . . . until the past hits her in the hard-muscled, blue-eyed form of Patrick Callahan. Now, the embers of their decade-old attraction have ignited into a full-on inferno, as the bad-boy firefighter and the good doctor take a walk on the wild side they'll never forget.

At the beginning of 1967 the writing was clearly on the wall for Southern Steam, with the intention of eliminating it altogether on the 18th June of that year. From the 2nd January, with the Brush type 4s working many main line trains including the Bournemouth Belle, steam was reduced to thirteen departures from Waterloo, three of which were in the early hours.From the 3rd April this was further reduced to just five day and three night time departures. However, by this time it was realized that due to late delivery of the new electric stock, the deadline for the demise of steam was put back to the 9th July and an interim timetable introduced from 12th June.Using information gathered from many sources, Countdown to Extinction chronicles the events of 1967, with the final five weeks in detail, including events that formed the background to the time.

The May or June issue of 1900-1939 includes the report of the institute's president for 1900-1939.

The May or June issue of 1900-1939 includes the report of the institute's president for 1900-1939.