In this modern-day fable about grief, diversity, and family connections, a young girl discovers the joys--and pain--of the creative process. Winner of the Bookstagang Best of 2021: Best Conversation Starter Picture Books of 2021. Longlisted for the Klaus Flugge Prize. Ezra Jack Keats Award Honoree. Eisha lives with her mother, a ceramic artist, who helps her make a special shape out of a piece of clay. The shape reminds Eisha of her father, of the ocean, of a lemon. As Eisha goes through her neighborhood doing errands with her mother, the piece of clay hardens and then shatters into pieces when Eisha taps it. In poignant and powerful words and pictures, Kenesha Sneed shows how Eisha learns to live with the sense of loss and of the joyful power of making something new out of what is left behind. Illustrated with Sneed's bold colors, graphic lines, and gestural textures, the book celebrates diversity and shares a gentle message that we all have the ability to heal and create.

The ultimate illustrated guide for sourcing, processing and using wild clay. Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone – from novices, improvers and experts to educators and students – who wants to forge a closer bond between their art and their surroundings. Testing and trial and error are key to finding a material's best use, so the authors' tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments. Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay's characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.

"The log of the clay worker": v. 100, p. 188-193.