Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR

(Applause Books). This collection from The Voice and Speech Trainers Association focuses on the voice in stage violence, addressing such questions as: * How does one scream safely? * What are the best ways to orchestrate voices in complex battle scenes? * How to voice coaches work collaboratively with fight directors and the rest of the creative team? * What techniques are used to re-voice violent stunt scenes on film? * How accurate are actor presentations of extreme emotion? * What is missing from many portrayals of domestic violence? Written by leading theatre voice and speech coaches, the volume contains 63 articles, essays, interviews and reviews covering a wide variety of professional concerns.

This book starts with a call to reason. Other concepts are closely woven in, including the distinction between reason, thinking, and feeling, where they merge, and how one may stimulate the others. This book makes use of the classical philosophical framework, the Platonic dialogue. The dialogue format is well suited to serious topics such as violence ? but it is also well suited for less than serious subjects. Bouncing ideas off each other, the characters in this book find some clarity as they evaluate and refine their own positions, gaining clarity and confidence.

Violence, Desire and the Sacred presents the most up-to-date inter-disciplinary work being developed with the ground-breaking insights of René Girard's mimetic theory. The collection showcases the work of outstanding scholars in mimetic theory and how they are applying and developing Girard's insights in a variety of fields. Girard's mimetic insight has provided a fruitful way for different disciplines, such as literature, anthropology, theology, religion studies, cultural studies, and philosophy, to engage on common anthropological ground, with a shared understanding of the human person. The aim of this edited collection is to present this interdisciplinary work and to illustrate how Girard's insights provide fertile ground for bringing together disparate disciplines in a shared purpose. As academic work on Girard's insights is growing, this collection would meet the need to show the critical, interdisciplinary applications of these insights.

Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music’s role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors’ substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined. CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.

This volume addresses the varied response to domestic violence in a comparative, international context. The chapters are laid out in a consistent format, to cover: the nature of the domestic violence problem, theoretical explanations, the criminal justice response, as well as health care and social service interventions in each country. The intent of the book is to provide an introduction to the attitudes and responses to domestic violence in various regions, to provide meaningful comparisons and share information on best practices for different populations and regions. There are considerable variations to domestic violence approaches across cultures and regions. In some places, it is considered a “private” or “family” matter, which can help it perpetuate. At the same time, the United States’ approach to domestic violence has been criticized by some as being too focused on the criminal justice system, rather than other types of interventions which aim to keep families intact. This comprehensive work aims to highlight innovative approaches from several regions, important cultural sensitivities and concerns, and provide analysis to identify the strengths and weakness of various approaches. This work will be of interest to researchers in criminology and criminal justice, as well as related fields who deal with domestic violence and violence against women, including sociology and social work, and international justice. Practitioners and policymakers will also find it informative.