Tempest: Eye in the Storm imprints the empowering saga of a once-spiritual weakling who graciously survived tempestuous gauntlet of persecution amidst crusading for righteousness, good governance, and fighting graft and corruption within a moribund government financial organization trashed into perdition by schemers and scammers of variant genre. Servant leadership nurtured by rekindled faith, scriptural inspiration and protection of the armor of the Lord blessed this chronicler and prime player to perseveringly evade playing god to hapless employees caught within raging Catch-22 storms that wreaked havoc on the lives and future of innocent public servants who once thrived and basked on their organization’s past glory. The battle smoke may have simmered down, but skeletons in the closet still remained unscathed, and prying questions left hanging unanswered in thin air. In endowed retirement life dedicated to wholeheartedly serving the Almighty God, this beleaguered eyewitness within the galloping storms having gratefully weathered destruction, distraction, and demolition now offers this book as annals for deeper understanding that working in government is a public trust that must be enshrined within the faithful heart as crowning principle in serving the people.

A guidebook to the allusions of T.S. Eliot's notorious poem, The Waste Land , Reading The Waste Land from the Bottom Up utilizes the footnotes as a starting point, opening up the poem in unexpected ways. Organized according to Eliot's line numbers and designed for both scholars and students, chapters are free-standing and can be read in any order.

The Tempest is a short play...and a confusing one. There is no one single central plot (there are three main plots that alternate throughout the story). Long story short: it's easy to get lost! And the Shakespearean language doesn't help. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of The Tempest. The original text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.

Nothing says "home" like being attacked by humans with very large guns, as Jane and Anyan discover when they arrive in Rockabill. These are professionals, brought into kill, and they bring Anyan down before either Jane or the barghest can react. Seeing Anyan fall awakens a terrible power within Jane, and she nearly destroys herself taking out their attackers. Jane wakes, weeks later, to discover that she's not the only thing that's been stirring. Something underneath Rockabill is coming to life: something ancient, something powerful, and something that just might destroy the world. Jane and her friends must act, striking out on a quest that only Jane can finish. For whatever lurks beneath the Old Sow must be stopped. . .and Jane's just the halfling for the job.

Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.

Jane's not happy. She's been packed off to England to fight in a war when she'd much rather be snogging Anyan. Unfortunately, Jane's enemies have been busy stirring up some major trouble -- the kind that attracts a lot of attention. In other words, they're not making it easy for Jane to get any alone time with the barghest, or to indulge in her penchant for stinky cheese. Praying she can pull of a Joan of Arc without the whole martyrdom thing, Jane must lead Alfar and halflings alike in a desperate battle to combat an ancient evil. Catapulted into the role of Most Unlikely Hero Ever, Jane also has to fight her own insecurities as well as the doubts of those who don't think she can live up to her new role as Champion. Along the way, Jane learns that some heroes are born. Some are made. And some are bribed with promises of food and sex.

This book presents a fresh approach to directing instruction. Going beyond the so-called nuts and bolts aspects of the director's role, this book is designed to help media artists understand the subtle processes of collaborating successfully with key creative team members.