To his fellow conservatives, John Derbyshire makes a plea: Don't be seduced by this nonsense about "the politics of hope." Skepticism, pessimism, and suspicion of happy talk are the true characteristics of an authentically conservative temperament. And from Hobbes and Burke through Lord Salisbury and Calvin Coolidge, up to Pat Buchanan and Mark Steyn in our own time, these beliefs have kept the human race from blindly chasing its utopian dreams right off a cliff. Recently, though, various comforting yet fundamentally idiotic notions of political correctness and wishful thinking have taken root beyond the "Kumbaya"-singing, we're-all-one crowd. These ideas have now infected conservatives, the very people who really should know better. The Republican Party has been derailed by legions of fools and poseurs wearing smiley-face masks. Think rescuing the economy by condemning our descendents to lives of spirit-crushing debt. Think nation-building abroad while we slowly disintegrate at home. Think education and No Child Left Behind. . . . But don't think about it too much, because if you do, you'll quickly come to the logical conclusion: We are doomed. Need more convincing? Dwell on the cheerful promises of the diversity cult and the undeniable reality of the oncoming demographic disaster. Contemplate the feminization of everything, or take a good look at what passes for art these days. Witness the rise of culturism and the death of religion. Bow down before your new master, the federal apparatchik. Finally, ask yourself: How certain am I that the United States of America will survive, in any recognizable form, until, say, 2022? A scathing, mordantly funny romp through today's dismal and dismaler political and cultural scene, We Are Doomed provides a long-overdue dose of reality, revealing just how the GOP has been led astray in recent years–and showing that had conservatives held on to their fittingly pessimistic outlook, America's future would be far brighter. Ladies and gentlemen, it's time to embrace the Audacity of Hopelessness.

This book is mainly a collection of speeches made and essays published in 2013. Most of the material appeared on VDARE.com, an online magazine dedicated to frank discussion of the National Question, which embraces issues of immigration, population, race, culture, language, religion, and national identity.

"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening." ––Sue Monk Kidd For years, Sue Monk Kidd was a conventionally religious woman. Then, in the late 1980s, Kidd experienced an unexpected awakening, and began a journey toward a feminine spirituality. With the exceptional storytelling skills that have helped make her name, author of When the Heart Waits tells her very personal story of the fear, anger, healing, and freedom she experienced on the path toward the wholeness that many women have lost in the church. From a jarring encounter with sexism in a suburban drugstore, to monastery retreats and to rituals in the caves of Crete, she reveals a new level of feminine spiritual consciousness for all women– one that retains a meaningful connection with the "deep song of Christianity," embraces the sacredness of ordinary women's experience, and has the power to transform in the most positive ways every fundamental relationship in a woman's life– her marriage, her career, and her religion. This Plus edition paperback includes a recent interview with the author conducted by the book's editor Michael Maudlin.

Harper's Magazine made its debut in June 1850, the brainchild of the prominent New York book-publishing firm Harper & Brothers. Harper's Magazine, the oldest general-interest monthly in America, explores the issues that drive our national conversation, through long-form narrative journalism and essays, and such celebrated features as the iconic Harper's Index. With its emphasis on fine writing and original thought Harper's provides readers with a unique perspective on politics, society, the environment, and culture.

The Greek word "gnosis," defined as direct spiritual knowledge or insight, has its origins in historical offshoots of Christianity in late antiquity. But the terms "Gnosticism" and "gnosis" have become widespread in many other contexts. They are common in contemporary scholarship on religion and in popular usage among magical, religious, and spiritual practitioners. And they have entered popular usage in contemporary society, with applications in numerous political, religious, and cultural contexts. Gnosis and Gnosticism have become leitmotifs in popular culture, in films such as The Matrix and Dark City, as well as in anime and other popular art forms. In American Gnosis, Arthur Versluis explores the fascinating connection between the Gnostic tradition and contemporary American spirituality, politics, and popular media. Versluis surveys themes of Gnosticism and gnosis in American culture, both within the United States and in global contexts. Versluis shows that gnosis is key to understanding a wide spectrum of global syncretic religious and intellectual movements-some sensational, even wild, but all fascinating. American gnosis, he argues, is a defining feature of hybrid new religious forms in the twenty-first century. Versluis provides case studies of major contemporary figures and texts that are emblematic of neo-gnosticism, offering a comprehensive framework of gnosis and an understanding of gnostic trends in modernity. He explores how neo-gnostic memes recur in social media and shows how American gnosis has manifested as spiritual independence, reflecting the ever-growing demographic category "spiritual but not religious." In delving into the intersection of contemporary American spirituality, politics, and literature, American Gnosis uncovers the remarkable prevalence of neo-gnostic elements today.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.