A deep dive into the cultural, social, and psychological impact that the emo scene had on pop culture—featuring inside stories from music legends. Though music always comes from a unique time and place, its influence can be timeless and universal. In the 1990s and 2000s, an explosion of indie, emo, and punk rock carried a raw emotional that has resonated with listeners ever since. In From the Basement, music journalist Taylor Markarian examines the underground emo scene that had an indelible influence on popular culture. Markarian grew up in the emo scene. She’s been backstage with Hawthorne Heights and appeared in a Senses Fail music video. With her intimate perspective, she explores not only the music itself but its fans and creators. With extensive band interviews and an exploration of music’s relationship to culture and mental health, From the Basement demonstrates that there’s much more to emo than black eyeliner and colored Converse.

It’s Halloween 2019 in Mobile, Alabama. Jennifer Riley, CPS supervisor and her team, face a nightmare line-up of child abuse cases. A young boy, imprisoned by his mother, in the family basement, fights for his very life. A baby girl, whose parents are drug addicts, is on life support from a traumatic brain injury. Despite the signs and natural assumptions that could lead the team to the perpetrators, the investigators discovered that the truth is never that simple. The team must navigate the “who” and “why” of these cases, with guidance from Jennifer. But when a ghost from her past reappears, Jennifer is shaken to her very core. One of her former foster children, who had survived the system, is murdered. What follows challenges her beliefs. Will her own self-doubt derail the team? A romance is the last thing she wants. But maybe, it is just what she needs.

Michael Tanner is a citizen of two worlds. His outer world as a respected college professor affords him the opportunity to quietly pursue his joy of learning. His inner world, shaped by childhood abuse, is a prison of shame and pain where he battles mythological monsters that draw power from his nightmarish memories. Though Michael has mastered the art of hiding his pain while in full view, the unexpected success of his new book, Bruce and Buddha: How Rock and Roll and Ancient Wisdom Can Guide your Life, pushes him well beyond his comfortable existence. Bolstered by the possibility of romance, the encouragement of old friends, and a new ally, he decides he must face his past. Only by challenging humiliation can he earn the inner victory necessary to bring authentic peace to his life.

How a bottom-up problem-solving ethos, multidisciplinary approach, and experimental mindset has nurtured entrepreneurship at MIT. MIT is world-famous as a launching pad for entrepreneurs. MIT alumni have founded at least 30,000 active companies, employing an estimated 4.6 million people, with revenues of approximately $1.9 trillion. In the 2010s, twenty to thirty ventures were spun off each year to commercialize technologies developed in MIT labs (with intellectual property licensed by MIT to these companies); in the same decade, MIT graduates started an estimated 100 firms per year. How has MIT become such a hotbed of entrepreneurship? In From the Basement to the Dome, Jean-Jacques Degroof describes how MIT's problem-solving ethos, multidisciplinary approach, and experimental mindset nurture entrepreneurship. Degroof explains that, at first, the culture of entrepreneurship sprang from such extracurricular activities as forums, clubs, and competitions. Eventually, the Institute formally supported these activities, offering courses in entrepreneurship. Degroof describes why entrepreneurship is so uniquely aligned with MIT's culture: a history of bottom-up decision-making, a tradition of academic excellence, a keen interest in problem-solving, a belief in experimentation, and a tolerance for failure on the way to success. Entrepreneurship is the logical outcome of MIT's motto, Mens et Manus (mind and hand) ), translating theories and scientific discoveries into products and businesses--many of which have the goal of solving some of the world's most pressing problems. Degroof maps MIT's current entrepreneurial ecosystem of students, faculty, and researchers; considers the effectiveness of teaching entrepreneurship; and outlines ways that the MIT story could inspire conversations in other institutions about promoting entrepreneurship.

For Charlie, the basement is home. He's being punished. He doesn't mean to leave--Father wouldn't allow it--but when Charlie is accidentally thrust outside, he awakens to the alien surroundings of a world to which he's never been exposed. Though haunted by fear of the basement and his father's rage, Charlie embarks on a journey toward healing and blossoms when he becomes an unconditionally loved and loving member of the right foster family. This carefully crafted and authentic portrayal of Charlie's emotional and physical abuse is gracefully matched by Susan Shaw's inspiring and deeply moving story of recovery.

When Johnny has his eleventh birthday, his parents decide that he is old enough for dancing classes, but too old to collect bottle caps any more.

"Up From The Basement" is an intense personal story about the author who rides an emotional roller coaster as he struggles with his need for psychological recovery and change. Written in a first person narrative style this non-fiction work reads like a novel. The reader is swept into the world and mind of the author as he immerses himself into a maze of self-inquiry. He unravels the layers of self-imposed protection that developed into barriers to the awareness of his inner strength. Motivated by his desire to understand himself and responsibility to eventually help others, this psychological tale challenges the reader to pause for self-reflection while it chronicles the author's ongoing pains and struggles. This insightful flow of internal processing incorporates awareness at the physical, intellectual, emotional and spiritual levels. The power of this work lies in the compelling stream of consciousness style that appears chaotic, while mirroring the frantic thought processing of the author. The ongoing temptation will arise for the reader to compare and contrast his or her own personal traits and internal introspection. The story is interspersed with practical applications of the basic principles of "A Course In Miracles", while dealing with personal issues such as fear, depression and forgiveness.