At the end of World War II, the art of tapestry experienced anews boom and throughout Europe national workshops and factories were renewed. By organizing the International Tapestry Biennials in 1962, the city of Lausanne came to be recognised as the capital of contemporary textile art and centre of New Tapestry movement.00Illustrated with more than 100 works and views of rooms, most of them unpublished, the book testifies to the impact and vitality of these exhibitions and their impact abroad. The historical research carried out by Toms Pauli Foundation, heir to the International Center for Ancient and Modern Tapestry, is enriched by the essays of specialists from four countries with a textile tradition: France, Poland, USA and Japan.

Explore the work of three generations of fine artists who have opened their minds and spirits to the boundless range of expressive possibilities in textile methods or materials. Even as the art on these pages references weaving, crochet or quilting, traditional textile notions disappear in the hands of serious artists, appropriating essential elements for their contemporary concepts

A colorful guided tour from an expert, enabling weavers, textile lovers, and art lovers to notice and appreciate what tapestries can do and how they do it. This guide from expert tapestry weaver and historian Sidore gives how-to strategies enabling weavers and nonweavers to notice and appreciate the meaning of these artworks. You'll discover much to enjoy in photos of more than 300 tapestries from the 12th to the 21st centuries. Sidore enables you to think about the weavings in ways you have never before considered as she groups pieces that talk with each other--and that also converse with the viewer. Enjoy learning basic elements of weaving to help you become increasingly sophisticated in understanding what you're seeing. Then, learn six ways in which tapestries can call attention to themselves as cloth. This eye-opening guide to seeing explains the great range of materials and visual themes, the use of trompe l'oeil, the importance of the direction in which the weaver weaves, and more. After this learning experience, you'll bring smarter eyes to your museum wandering, deeper enjoyment to your collection and purchases, and surprising new skills and creativity to your weaving of fibers . . . and of life.

A global survey of more than 100 artists, chosen by art-world professionals for their work with threads, stitching, and textiles Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, Vitamin T is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey – the first of its kind.

Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.

The Nature of Things weaves together a life full of happiness and sorrow. In these fourteen collected essays, Tommye McClure Scanlin reflects on her artistic journey and how crafting and life are interwoven, two threads that comprise a larger picture. Readers will find themselves lost in Scanlin's full-color tapestries and comforting writing style as they explore the natural fields and woods of southern Appalachia. A final part of the book gives an overview of tapestry weaving basics with diagrams and descriptions for setting up a simple pipe loom and weaving a small tapestry sampler. Glossary, simple pipe loom illustrations, and a resource list are included for reference.

Tapestries from 40 top international artists representing three generations show the best examples of contemporary approaches to the handwoven art. Featured are more than 50 examples, including full views of each artwork, as well as details. Tapestries are accompanied by biographical information on each artist, hand-picked for this collection because they are at the forefront of their field. The book also includes insightful essays, statements, and information about the field of tapestry, including artist and gallery contact information. This one-of-a-kind collection of works was curated by the author, Carol Russell, for an exhibition at Hunterdon Art Museum in Clinton, New Jersey, in 2015. Included are essays by the curator, as well as by Archie Brennan, Christine Laffer, and Dr. Lycia Trouton.