This volume centres on how the exchange routes transformed the frontier regions of the Silk Road. In doing so, it utilises a range of methods to reach an archaeological interpretation of the factors that linked people with the environment; movements, settlements, and beliefs.

This gorgeously illustrated oversized book brings the history and cultures of the Silk Road alive -- from its beginnings to the present day -- covering more than 5000 years.

During the latter decades of the 19th century, popular European fascination with the world beyond reached an all-time high. The British and French empires spanned the globe, and their colonial agents sent home exotic goods and stories. The Silk Route dates from this romantic period, in name if not in reality. In the century since its invention as a concept, the Silk Route has captured and captivated the Western imagination. It has given us images of fabled cities and exotic peoples. Religions of the Silk Route tells the story of how religions accompanied merchants and their goods along the overland Asian trade routes of pre-modern times. It is a story of continuous movement, encounters, mutual reactions and responses, adaptation and change. Beginning as early as the 8th century BCE, Israelite and Iranian traditions travelled eastwards in this way, and they were followed centuries later by the great missionary traditions of Buddhism, Christianity, Manichaeism, and Islam.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.

Patricia Crone's book is about the Iranian response to the Muslim penetration of the Iranian countryside, the revolts subsequently triggered there and the religious communities that these revolts revealed. The book also describes a complex of religious ideas that, however varied in space and unstable over time, has demonstrated a remarkable persistence in Iran across a period of two millennia. The central thesis is that this complex of ideas has been endemic to the mountain population of Iran and occasionally become epidemic with major consequences for the country, most strikingly in the revolts examined here and in the rise of the Safavids who imposed Shi'ism on Iran. This learned and engaging book by one of the most influential scholars of early Islamic history casts entirely new light on the nature of religion in pre-Islamic Iran and on the persistence of Iranian religious beliefs both outside and inside Islam after the Arab conquest.