Introduction -- Francisco Oller and the worlds of the Caribbean -- Francisco Oller at home and abroad -- Francisco Oller and Raphael Cordero: art and pedagogy in late nineteenth-century Puerto Rico -- The Battle of Trevino: Oller and the dilemma of "official" painting -- Plantains and coconuts -- Conflicted affinities: Franciso Oller and William McKinley -- Oller and his work in the modern imagination.

A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024

This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.

Evoking the sensory richness and ambitions of the beloved French artist's work through a multifaceted exploration of his art, career, and legacy Cezanne presents a new examination of the work of Paul Cezanne (1839-1906) across media and genres, surveying his career from the varied perspectives of art historians, conservation scientists, and a roster of renowned contemporary painters, including Etel Adnan, Phyllida Barlow, Paul Chan, Julia Fish, Ellen Gallagher, Lubaina Himid, Kerry James Marshall, Rodney McMillian, Laura Owens, and Luc Tuymans. Featuring wide-ranging essays and a series of maps tracing Cezanne's travels across the French landscape, this lavishly illustrated publication highlights the artist's favorite motifs, influence on his peers, and pivotal role in the development of modern art, in addition to presenting state-of-the-art technical analysis of his pigments and methods. It offers a fresh look at the ways in which Cezanne, driven by what he described as "strong sensations," sought to develop a visual language that could fully translate his intense feelings into paintings. In doing so, he opened up possibilities that were embraced and elaborated by artists in his time and into the present. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (May 15-September 5, 2022) Tate Modern, London (October 5, 2022-March 12, 2023)

Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.