Whether to enlarge your general education, improve your English, or just because you are curious about the society that has had such a lasting influence on our history, our language, our thoughts, and our culture, you should and can learn Latin. Tamara Trykar-Lu's charming and delightful introduction to Latin, From Puella to Plautus, Part I, is designed for beginning to intermediate Latin study, at the high school or college level, either with the aid of a teacher and classroom or simply for personal enjoyment and enrichment. A thorough review of English grammar with detailed explanations makes it easy for the reader to grasp new concepts in Latin. Learning Latin vocabulary becomes manageable once you realize how much ‘Latin’ vocabulary there is in English. You will quickly learn to read Latin with short stories and, gradually, more demanding selections. Readers will translate the story of Romulus and Remus and the founding of Rome, but also the tale of Nivea -- Snow White -- and some parts of Shakespeare's plays. Short sections show how English developed, how Latin influenced it, and where they both belong in the world of languages. Each chapter ends with a brief outline of some aspect of Roman culture, such as housing, fauna and flora, games, crafts, water supply, and cooking – with recipes. And last but not least there are informative tidbits, drawings, cartoons, jokes, riddles, crossword puzzles, and, of course, pictures distributed throughout the book. For while foreign-language study should be logical, coherent, and rigorous, it need not be heavy-handed or pedantic, and certainly not dull. Ideal for use in courses or for brushing up your language skills, From Puella to Plautus is a lively and engaging book about the Latin language and life in the Roman Empire.

Whether to enlarge your general education, improve your English, or just because you are curious about the society that has had such a lasting influence on our history, our language, our thoughts, and our culture, you should and can learn Latin. Tamara Trykar-Lu's charming and delightful introduction to Latin, From Puella to Plautus, Volume II, is designed for intermediate to advanced Latin study, at the high school or college level, either with the aid of a teacher and classroom or simply for personal enjoyment and enrichment. In this volume, the reader is introduced more broadly to the subjunctive mood, as well as a broad range of applications of the ablative, accusative, genitive, and dative cases. A wide variety of reading material is presented, including excerpts from the Carmina Burana, the writings of Catullus, the poetry of Ovid, the life of Saint George as told in de Voragine's Golden Legend, the eruption of Mount Vesuvius from the account of Pliny the Elder, and Seneca's story of the murder of Cicero. There follows an extensive summary of the grammar and syntax encountered in both volumes. Last, as a capstone, the reader can enjoy reading and understanding Plautus's comedy Aulularia in the original Latin. Each chapter ends with a brief outline of some aspect of Roman culture, such as housing, fauna and flora, games, crafts, water supply, and cooking - with recipes. And last but not least there are informative tidbits, drawings, cartoons, jokes, riddles, crossword puzzles, and, of course, pictures distributed throughout the book. For while foreign-language study should be logical, coherent, and rigorous, it need not be heavy-handed or pedantic, and certainly not dull. Ideal for use in courses or for brushing up your language skills, From Puella to Plautus, Volume II is a lively and engaging book about the Latin language and life in the Roman Empire.

Pseudolus of all Plautus' comedies most fully reveals its author's metapoetics. As its eponymous clever slave telegraphs his every move to spectators, Pseudolus highlights the aesthetic, social, and performative priorities of Plautine comedy: brilliant linguistic play, creative appropriation of comic tradition, interrogation of convention and social norms, the projection of an air of improvisation and a fresh comic universe, and exploration of dramatic mimesis itself. The extensive Introduction analyses Plautus' delightful comedy as a stage-performance, the comic playwright's translation and adaptation practices, his innovative deployment of language and metrical and musical virtuosity, as well as the play's transmission and reception. In addition to detailed elucidation of the Latin text, the Commentary examines Pseudolus as a lens into Roman slave society at the time of its debut at the Megalensian festival of 191 BCE. The edition engages throughout with current criticism and issues of interest to both students and scholars.

This volume of Plautus's comedies features six of his best-loved works, including 'The Rope' and 'The Pot of Gold'. The translations by Paul Nixon capture the wit, humor, and bawdiness of the original Latin, while remaining faithful to the spirit and structure of the plays. An essential resource for classicists, students of theater, and anyone who loves a good laugh. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies. Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300–250 BCE transferred to the Roman stage of about 225–185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant). The Loeb Classical Library edition of Plautus is in five volumes.