In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.

Novelist and playwright Strachan (English, U. of Massachusetts- Dartmouth) identifies historical, political, economic, cultural, and geographical conditions that make his native Caribbean an ideal location for paradise, and discusses the means by which the idea has thrived among travel agents and their clients. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

This powerful book is about one of the most controversial realities in our modern world: the existence of slave labor in the 21st century, with millions of people today living in horrendous conditions of abuse and subjugation. It is the heroic story of missionary priest Fr. Christopher Hartley who, inspired by the Gospel, committed his life to fight for such workers in the sugar cane industry of the Dominican Republic so they could live and die with the human dignity that was denied them. When he arrived in 1997, Fr. Hartley carried out intense work of evangelization and, calling on the social doctrine of the Church, denounced the situation of slavery of his faithful: he proclaimed it in a speech before the President of the Republic and he confronted the proprietors of the sugar mills. Because of his strong criticism of such exploitation, he endured harsh treatment by the press and others, and was threatened with death. During his years of mission until he was expelled from the country in 2006, he wrote detailed letters to his friend about the horrible conditions he was fighting against for his people. In the letters, together with rich spiritual reflections and filled with apostolic passion, Fr. Hartley tells chilling stories of his people's suffering as well as striking expressions of love for God and faith in Providence by those who have nothing. These moving, insightful letters are the heart of this book, bolstered by the inspiring testimonies of those who lived and worked by his side in this great missionary epic. It reveals how terrible evil and suffering can be overcome by strong faith and deep love. "This is a book that exudes hope, which generates the happiness and joy of living, and sparks a lively desire to do the same: to evangelize. The testimony of this beloved missionary priest transmits joy and light, as he transmitted that same joy and hope to those long-suffering brothers and sisters in the Dominican Republic." - Cardinal Antonio Canizares, from the Foreword

Lucy Gladwell arrives in Mauritius from England to live with her aunt and uncle at their grand plantation house. Under the surface of this beautiful island paradise, poised between India and Africa, there is unease, and Lucy cannot help but feel discomfited by the restrictions she sees around her, and by the strangely attractive Don Lambodar, a young translator from Ceylon. It is 1825: the age of slavery is coming to its messy end, and word is lapping against the shores of the island of a charismatic new Indian leader who will shine the light of liberty. For Lucy, for Don, for everyone on the island, a devastating storm is coming...

In this volume, Deckard analyzes authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera to make a materialist study of the relation between paradise myths and the ideologies and economies of colonialism and neo-imperialism in literature from Mexico, Zanzibar and Sri Lanka.

Far From Paradise looks at the Caribbean behind the tourist brochures: small, vulnerable countries beset by poverty and injustice, searching for a road out of underdevelopment. It traces the history of the area and looks at recent experiences of Jamaica, Grenada, Trinidad & Tobago, and Haiti--and evaluates their differing approaches towards development. Other sections focus on the role of transnational corporations in the Caribbean, the problems of regional integration and examples of alternative, grassroots development.