This book analyses the significance of the special correspondent as a new journalistic role in Victorian print culture, within the context of developments in the periodical press, throughout the second half of the nineteenth century. Examining the graphic reportage produced by the first generation of these pioneering journalists, through a series of thematic case studies, it considers individual correspondents and their stories, and the ways in which they contributed to, and were shaped by, the broader media landscape. While commonly associated with the reportage of war, special correspondents were in fact tasked with routinely chronicling all manner of topical events at home and abroad. What distinguished the work of these journalists was their effort to ‘picture’ the news, to transport readers imaginatively to the events described. While criticised by some for its sensationalism, special correspondence brought the world closer, shrinking space and time, and helping to create our modern news culture.

Transcribed dispatches from the 1875 Black Hills Council where U.S. government agents met with Native American leaders from plains and mountain tribes including the Lakota, Cheyenne, Western Sioux, Crow, Shoshone to negotiate ownership of the Black Hills. Dispatches are grouped chronologically by byline date rather than actual publication date.

The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.

Once considered the "best American newspaperman London has ever had," Edward Price Bell (1869--1943) helped invent the ideal of a professional foreign news service at the late and great Chicago Daily News, which in its heyday had the second-largest daily newspaper circulation in the United States. At the turn of the twentieth century, professional overseas reporting was still an experiment. The Chicago Daily News's visionary owner and publisher Victor Lawson was not certain how to organize the service or even what kind of news it should cover. Bell, who had distinguished himself as a young reporter in Chicago, became the anchor for the service when Lawson sent him to London in 1900. The course he set established the standard for the New York Times and other prestigious American newspapers. Unfortunately, few journalists or scholars are familiar with Bell's contributions, in part because his autobiography remained archived at the Newberry Library in Chicago. In Journalism of the Highest Realm, Jaci Cole and John Maxwell Hamilton have edited and annotated Bell's story, focusing on his lively account of the early days of the Chicago Daily News's foreign service as well as the dramatic stories his correspondents covered. James F. Hoge, Jr., the last editor-in-chief of the Chicago Daily News and present editor of Foreign Affairs, sets the stage for Bell's memoir with an informative foreword on the evolution of foreign news gathering over the last century. A bright-eyed midwestern teenager who learned journalism on the job at a small newspaper in Terre Haute, Indiana, Bell quickly established himself as an enterprising reporter. Moving on to Chicago, he became the Daily News's go-to man. He was assigned big stories and landed interviews with leading politicians, a knack that became a trademark of his overseas reporting. Over more than two decades in London, Bell entrenched himself in politics and culture, sending back thoughtful background and analysis of current events. In his memoir, Bell recounts his exclusive wartime interviews with Sir Edward Grey, the British foreign secretary, and Lord Richard Haldane, the minister of war; a later sit-down with the charismatic Il Duce, Benito Mussolini; and his rather tense exchanges with former vice president Charles Dawes, American ambassador to Britain. The respect Bell commanded among British elites and his years of experience as a London insider thrust him into a diplomatic role. Bell became an unofficial envoy to the British government and also a conduit for British views to the United States and its leaders. After Bell returned to Chicago in the early 1920s, the Daily News dispatched him on special missions to Europe and Asia to interview leaders about world peace. His accounts were published in two books and earned him a nomination for the Nobel Peace Prize in the 1930s. Despite this acclaim -- indeed, to some extent because of it -- Bell fell out of favor when new owners acquired the newspaper in 1931, and he retired to the Mississippi Gulf Coast.With Journalism of the Highest Realm Cole and Hamilton put this great newspaperman into a broader context. As they show in their thoughtful introduction, Bell and the Daily News continually grappled with problems that still bedevil overseas correspondence. Foreign news, they show, has always been an enterprise that is at once valuable and vulnerable.

The renowned journalist and Jewish activist looks back on her first 25 years in “one of the most evocative journalistic autobiographies to appear” (Publishers Weekly). In this fascinating memoir, Ruth Gruber recalls her first twenty-five years, from her youth in Brooklyn to her astonishing academic accomplishments and groundbreaking journalistic career. She shares her experiences entering New York University at fifteen and just five years later becoming the world’s youngest person to earn a PhD. She recounts her time in Cologne, Germany, studying during Hitler’s rise to power, and her adventures in Europe and the Arctic as a reporter for the New York Herald Tribune. Spirited and compelling, Ahead of Time is a striking account of the early years of a woman at the center of the twentieth century’s turning points.

David Greenway, a journalist’s journalist in the tradition of Michael Herr, David Halberstam, and Dexter Filkins. In this vivid memoir, he tells us what it’s like to report a war up close. Reporter David Greenway was at the White House the day Kennedy was assassinated. He was in the jungles of Vietnam in that war’s most dangerous days, and left Saigon by helicopter from the American embassy as the city was falling. He was with Sean Flynn when Flynn decided to get an entire New Guinea village high on hash, and with him hours before he disappeared in Cambodia. He escorted John le Carre around South East Asia as he researched The Honourable Schoolboy. He was wounded in Vietnam and awarded a Bronze Star for rescuing a Marine. He was with Sidney Schanberg and Dith Pran in Phnom Penh before the city descended into the killing fields of the Khmer Rouge. Greenway covered Sadat in Jerusalem, civil war and bombing in Lebanon, ethnic cleansing and genocide the Balkans, the Gulf Wars (both), and reported from Afghanistan and Iraq as they collapsed into civil war. This is a great adventure story—the life of a war correspondent on the front lines for five decades, eye-witness to come of the most violent and heroic scenes in recent history.

“All the cutting edge technology I learned in college—typewriters, film splicers, glue—is now in a museum; the one thing that hasn’t changed is how to tell a visual story.”—Bob Dotson Make It Memorable provides a distinctly different, hands-on introduction to the craft of visual storytelling. Many texts have been written to help people master the changing technology of journalism; here, Bob Dotson teaches readers how best to tell a story once they do. This second edition of Dotson’s classic book offers dozens of new tips for the digital age and a step-by-step explanation of how to find and create all kinds of visual stories under tight deadlines. In addition to new scripts annotated with behind-the-scenes insights and structural comments, the book includes links to online videos of all the story examples. There is no other text quite like it. Additional videos that can be utilized for class assignments and exercises are available on www.nbclearn.com/makeitmemorable.