'What makes this collection unusual and refreshing is that it is not the more common ‘Festschrift’ written by specialists for specialists, but a broad set of topical summaries and analyses addressed to a wide readership of particle physicists. Inevitably, some of the sections are more advanced in their treatment than others, but most of the material will be accessible and helpful to researchers at all levels, and in particular to those working on experiments at CERN, where Altarelli spent many years in the theory group. It is hard to do justice to the varied contents of this excellent collection … I can only recommend that anyone involved in particle research should turn to the web for a full description of the richness of material that is included here … There is something here for everyone, and much for most. I’m sure Altarelli would have been pleased with that! The Editors are to be complimented for their initiative in making this unique volume possible.'Contemporary PhysicsGuido Altarelli was a leading figure in 20th century particle physics. His scientific contributions and leadership played a key role in the development of the Standard Model of fundamental interactions, as well as the current search for new physics beyond it, both at and beyond CERN. This book is a collection of original contributions, at the cutting edge of scientific research, by some of the leading theoretical and experimental high-energy physicists currently in the field. These were inspired by Guido's ideas, whether directly or indirectly. This book is ideal for researchers looking to keep up with the latest developments in high-energy physics.

This critical edition is at once a memorial to Bapak I Wayan Loceng following his passing in October, 2006, and a tribute to his great musical genius. This edition documents nine compositions from the esteemed Balinese gender wayang or shadow play repertoire. The music documented derives from the musical mastery of Bapak I Wayan Loceng (1926–2006), arguably the most renowned gender wayang expert in Bali, who lived in the village of Sukawati. This edition places the music within a historical, cultural, and biographical context and introduces a broad theoretical framework that contains a new definition for the discipline of ethnomusicology, and substantial discussion of the genres of musical biography, musical ethnography, and ethnomusicology of the individual. This edition will introduce the reader to pertinent scholarly perspectives, offer biographical information pertaining to Bapak I Wayan Loceng, delineate the cultural concepts and contexts for performance and background of the shadow play tradition in Bali, and clarify key aspects of the music itself.

Claudio Naranjo’s psychedelic autobiography with previously unpublished interviews and research papers • Explores Dr. Naranjo’s pioneering work with MDMA, ayahuasca, cannabis, iboga, and psilocybin • Shares his personal accounts of psychedelic sessions and experimentation, including his work with Alexander “Sasha” Shulgin and Leo Zeff • Includes the author’s reflections on the spiritual aspects of psychedelics and his recommended techniques for controlled induction of altered states In the time of the psychedelic pioneers, there were psychopharmacologists like Alexander “Sasha” Shulgin, psychonauts like Aldous Huxley, and psychiatrists like Humphrey Osmond. Claudio Naranjo was all three at once. He was the first to study the psychotherapeutic applications of ayahuasca, the first to publish on the effects of ibogaine, and a long-time collaborator with Sasha Shulgin in the research behind Shulgin’s famous books. A Fulbright scholar and Guggenheim fellow, he worked with Leo Zeff on LSD-assisted therapy and Fritz Perls on Gestalt therapy. He was a presenter at the 1967 University of California LSD Conference and, 47 years later, gave the inaugural speech at the First International Conference on Ayahuasca in 2014. Across his career, Dr. Naranjo gathered more clinical experience in individual and group psychedelic treatment than any other psychotherapist to date. In this book, his final work, Dr. Naranjo shares his psychedelic autobiography along with previously unpublished interviews, session accounts, and research papers on the therapeutic effects of psychedelics, including MDMA, ayahuasca, cannabis, iboga, and psilocybin. The book includes Naranjo’s reflections on the spiritual aspects of psychedelics and the healing transformations they bring, his philosophical explorations of how psychedelics act as agents of deeper consciousness, and his recommended techniques for controlled induction of altered states using different visionary substances. Naranjo’s work shows that psychedelics have the strongest potential for transforming and healing people over all therapeutic methods currently in use.

“This is a book about autism. Specifically, it is about my autism, which is both like and unlike other people’s autism. But just as much, it is a story about how I emerged from the darkness of it into the beauty of it.” In this elegant and thought-provoking memoir, Dawn Prince-Hughes traces her personal growth from undiagnosed autism to the moment when, as a young woman, she entered the Seattle Zoo and immediately became fascinated with the gorillas. Having suffered from a lifelong inability to relate to people in a meaningful way, Dawn was surprised to find herself irresistibly drawn to these great primates. By observing them and, later, working with them, she was finally able to emerge from her solitude and connect to living beings in a way she had never previously experienced. Songs of the Gorilla Nation is more than a story of autism, it is a paean to all that is important in life. Dawn Prince-Hughes’s evocative story will undoubtedly have a lasting impact, forcing us, like the author herself, to rediscover and assess our own understanding of human emotion.

New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin Caron; a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi; a freshlook at key works from Du Fay's youth and early maturity; accounts of newly discovered sources and works; and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. The collection also includes two newly published compositions dedicated to the honorand. Fabrice Fitch teaches at the Royal Northern College of Music; Jacobijn Kiel is an independent scholar. Contributors: Rob C. Wegman, Jane Alden, Bonnie J. Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm

I thought about how good it felt that on the previous day, I had loosened the shackles of frustration in one way; by taking a big leap back into life in another. I congratulated myself on my success. I knew that I had to keep trying to crawl out of the fog to freedom again, across all areas of my life. I promised myself that no matter how difficult or frustrating it was going to be, I had to try. I had to regain control, confidence and independence. Alana Henderson, a successful businesswoman, suffered a stroke at fifty-nine, losing her ability to communicate along with many associated skills. Surviving the stroke was the genesis of Out of the Fog. After a traumatic nine days in acute stroke services, she abandoned the health service for the safety of her home. Three weeks later, she was diagnosed with breast cancer and diabetes. With little knowledge of how to cope with these major illnesses, she drew on her ingenuity, resourcefulness, and creativity to survive and recover. In this memoir, Alana shares her storyan enlightening and sometimes emotional journey of self-help. Using an unconventional approach, after twelve months of a roller coaster ride of challenges and successes, Alana had reversed the diabetes, overcome obesity, recovered her language skills, achieved a positive outcome from breast surgery, and rebuilt her business. She had also learned what was really involved in changing a lifestyle, something often talked about but rarely explained. Out of the Fog narrates a story of perseverance, courage, and the determination to always find a way around a problem. From being consumed by the fog of a modern lifestyle, Alana built a quality, healthy life that challenges societys expectations of older people. In three years: from stroke to pole fitness.

In Roma Music and Emotion, author Filippo Bonini Baraldi forges a much-needed theory of music, emotion, and empathy from an anthropological perspective, addressing the failure of the prevailing psychological theories on music and emotion to account for non-western musical cultures. Bonini Baraldi, having spent years among the Hungarian Roma of rural Transylvania, presents compelling ethnographic descriptions of their weddings, funerals, community celebrations, and intimate family gatherings. Based on extensive field research and informed by hypotheses drawn from the cognitive sciences, the anthropology of art, and aesthetics, Roma Music and Emotion analyzes why Roma musicians cry along with music and how they arouse specific feelings in their audiences. Translated by Margaret Rigaud, and with a Foreword by Steven Feld, Roma Music and Emotion makes an important ethnomusicological contribution to theoretical discussions of the relationship between music and emotion.