This work examines text-referencing practices and ideas about sacred texts in antiquity. This book shows how Ezekiel, an ancient Israelite author, borrowed from and transformed an earlier text containing religious instruction. Ezekiel used this earlier text (Lev 17-26, the "Holiness Code") in order to explain the sixth-century destruction of his city and the exile of its inhabitants, and to create hope for the exilic community of which he was a part. It was precisely because he regarded this text as authoritative and paradigmatic for his own day that he borrowed its words and phrases and transformed them for inclusion in his own work. The techniques behind these transformations include syntactic modification, inversion of word order, creation of word pairs, split-up and recombination of locutions, creation of word clusters, conflation, wordplay, and reversals. By transforming the Holiness Code's legal instructions and covenant rhetoric into accusations and descriptions of imminent or recent punishment, Ezekiel could explain the tragedy by creating a causal connection between the people's behavior and the disaster they experienced. By selectively and paradigmatically using the Holiness Code's covenant blessings, Ezekiel envisioned a future characterized by physical and spiritual restoration. Ezekiel transformed law into prophecy in his attempt to meet the needs of his community.

The standard theory of Old Testament canon formation describes a literary process of linear development in three successive stages. In spite of intermittent criticism, the theory has continued to find its place in textbooks and introductions. Here Stephen B. Chapman marshals all of the important counter-arguments to the theory and proposes a fresh way to conceive of the canonical process, based upon evidence internal and external to the biblical text.He argues against the standard theory by exposing its internal inconsistencies and critiquing its methodological presuppositions, especially its assumptions about human agency and the nature of 'canonization.' Using Charles Altieri's literary application of Canadian philosopher Charles Taylor's theory of the self, the author redescribes the canonization of the Old Testament as a process of 'strong evaluation', whose goal was to provide a religious framework for the evaluation of personal and communal alternatives, rather than the imposition of ideology. He redefines the Old Testament 'canon' as the theological 'grammar' formed by the coordination of discrete scriptures into a coherent collection, but retaining their plurality as integral to canonicity.Stephen B. Chapman also demonstrates that the status of the prophetic writings prior to their canonization has remained an intractable problem for the standard theory. He shows how nomistic assumptions about canonization have sustained the view that the prophetic corpus was always subordinate to the Pentateuch, even though this view is at odds with the exegetical evidence. By detailed analysis of 'canon-conscious' editing within the Pentateuch and the prophetic corpus, he illustrates how collections of Law and Prophets developed simultaneously and mutually influenced each other.

To read literature is to read the way literature reads. René Girard’s immense body of work supports this thesis bountifully. Whether engaging the European novel, ancient Greek tragedy, Shakespeare’s plays, or Jewish and Christian scripture, Girard teaches us to read prophetically, not by offering a method he has developed, but by presenting the methodologies they have developed, the interpretative readings already available within (and constitutive of) such bodies of classical writing. In The Prophetic Law, literary scholar, theorist, and critic Sandor Goodhart divides his essays on René Girard since 1983 into four groupings. In three, he addresses Girardian concerns with Biblical scripture (Genesis and Exodus), literature (the European novel and Shakespeare), and philosophy and religious studies issues (especially ethical and Jewish subject matters). In a fourth section, he reproduces some of the polemical exchanges in which he has participated with others—including René Girard himself—as part of what could justly be deemed Jewish-Christian dialogue. The twelve texts that make up the heart of this captivating volume constitute the bulk of the author’s writings to date on Girard outside of his three previous books on Girardian topics. Taken together, they offer a comprehensive engagement with Girard’s sharpest and most original literary, anthropological, and scriptural insights.

Jeffrey Stackert addresses two of the oldest and most persistent problems in biblical studies: the relationship between prophecy and law in the Hebrew Bible and the utility of the Documentary Hypothesis for understanding Israelite religion. These topics have in many ways dominated pentateuchal studies and the investigation of Israelite religion since the nineteenth century, culminating in Julius Wellhausen's influential Prolegomena to the History of Ancient Israel. Setting his inquiry against this backdrop while drawing on and extending recent developments in pentateuchal theory, Stackert tackles the subject through an investigation of the different presentations of Mosaic prophecy in the four Torah sources. His book shows that these texts contain a rich and longstanding debate over prophecy, its relation to law, and its place in Israelite religion. With this argument, A Prophet Like Moses demonstrates a new role for the Documentary Hypothesis in discussions of Israelite religion. It also provides an opportunity for critical reflection on the history of the field of biblical studies. Stackert concludes with an argument for the importance of situating biblical studies and the study of ancient Israelite religion within the larger field of religious studies rather than treating them solely or even primarily as theological disciplines.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.