We can classify the whole of mankind into two main groups: one group would include those people who sincerely think about others in the same way as they think about themselves; the other group would include those people who place importance only on their own status, and are always striving to serve their own selfish ends. This concise and useful presentation of Ahmed Hulusi’s 1967 masterpiece is a very interesting one, especially for those who have a passionate interest in Islamic mysticism. It is the editor’s sincere belief that this book will be a great help to those readers who wish to explore the true essence of Islamic mysticism.

An unabridged edition, to include: One Cause -- How the Law Works -- Conscious Use of the Law Choice - Free Will -- Desire -- Be Observant -- Appearances -- Inner Conversations -- Revision -- States of Consciousness -- The Play -- Your Real Purpose -- Case Histories

The human imagination remains one of the last uncharted terrains of the mind. This accessible and original monograph explores a central aspect of the imagination, the creation of counterfactual alternatives to reality, and claims that imaginative thoughts are guided by the same principles that underlie rational thoughts. Research has shown that rational thought is more imaginative than cognitive scientists had supposed; in The Rational Imagination, Ruth Byrne argues that imaginative thought is more rational than scientists have imagined. People often create alternatives to reality and imagine how events might have turned out "if only" something had been different. Byrne explores the "fault lines" of reality, the aspects of reality that are more readily changed in imaginative thoughts. She finds that our tendencies to imagine alternatives to actions, controllable events, socially unacceptable actions, causal and enabling relations, and events that come last in a temporal sequence provide clues to the cognitive processes upon which the counterfactual imagination depends. The explanation of these processes, Byrne argues, rests on the idea that imaginative thought and rational thought have much in common.

This small book is the first comprehensive essay to place archetypal psychology within a major tradition of modern thought-the tradition of mythical thinking-and to recognize imagination as the primal force and basic reality of human life. By drawing upon the writings of four twentieth-century thinkers, Roberts Avens clarifies the post-Jungian direction of psychology as it moves toward poetic and polytheistic imagination. He then compares the radical achievements of this direction in resolving the 'ego-question' with the methods and ideas of the East: Buddhism, Tantrism, Zen, and Vedanta. Avens's grasp of understanding, easy familiarity with his subject, and refined insights together make this book an introductory text and an advance into new territory.

In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing "poetry itself, the naked poem, the imagination manifesting itself in its domination of words." Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination.

Physics: Imagination and Reality introduces the reader to major ideas and the conceptual structure of modern physics, by tracing its development from the introduction of fields into physics by Faraday and Maxwell in the last century. Because the approach is historical, the book provides a comprehensive overview of the subjects. It should appeal to anyone interested in a basic understanding of the contemporary physicists view of the physical world. It avoids all but the simplest mathematics and presents ideas and concepts in everyday language.Physics: Imagination and Reality attempts to provide educated citizens with an understanding of contemporary physics and, at the same time, shows that its ideas have a grandeur, a challenge to the imagination and an aesthetic appeal which merit its recognition as an integral part of our culture.

Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.