This book is not a nostalgic tribute to militants of a distant past, but a source of inspiration for revolutionary politics in a time that needs them as much as ever. In the early 1970s, across the Americas and Western Europe, armed groups emerged out of the social movements of the late 1960s. In Germany, the Red Army Faction received most attention, but a less well-known, antiauthoritarian counterpart operated in its shadows: the 2nd of June Movement, named after the date when, in 1967, a Berlin cop killed the unarmed student Benno Ohnesorg during a demonstration. The group was composed of working-class youth who got politicized in Berlin’s underground culture. They first emerged as a political collective under the name “Hash Rebels” before forming the 2nd of June Movement as a revolutionary organization. After the group’s dissolution in 1980, its principles lived on in the militant network of the Revolutionary Cells and the German autonomist movement. From Hash Rebels to Urban Guerrillas, the first book to present the 2nd of June Movement in English, documents the group’s history and politics through translations of original documents and reflections by former members. This is mandatory reading for anyone interested in the politics of the era and the ongoing quest to challenge the rule of the state and capital.

The violent operations performed in the 1970s by West German urban guerrillas – such as the Red Army Faction (RAF) – were so vivid and incomprehensible that it seemed to be more urgent to produce spectacle than to be politically successful. In Guerrilla Aesthetics, Kimberly Mair challenges the assumption that these guerrillas sought to realize specific political goals. Instead, she tracks the guerrilla fighters’ plunge into an avant-garde-inspired negativity that rejected rationality and provoked the state. Focusing on the Red Decade of 1967 to 1977, which was characterized not only by terrorism and police brutality but also by counterculture aesthetics, Mair draws from archives, grey literatures, popular culture, art, and memorial and curatorial practices to explore the sensorial aspects of guerrilla communications performed by the RAF, as well as the 2nd of June Movement and the Socialist Patients' Collective. Turning to cultural and artistic responses to the decade and its legacy of raw public feelings, Mair also examines works by Eleanor Antin, Erin Cosgrove, Christoph Draeger, Bruce LaBruce, Gerhard Richter, and others. Reconsidering an enigmatic period in the history of terrorism, Guerrilla Aesthetics innovatively engages with the inherent connections between violence, performance, the senses, and memory.

The personal testimony of Michael 'Bommi' Baumann, a man who in the late 1960s and early 1970s was a member of the June 2nd Movement, one of the most spectacular urban guerrilla organisations in West Berlin. The original German edition was seized by police upon publication in 1975. The resulting trial and publicity raised an international outcry and the book ended up being republished in German and translated into 6 languages. A timely republication in an age when public protest against corporate greed and free trade agreements are increasing in frequency and hostility.

Fire and Flames was the first comprehensive study of the German autonomous movement ever published. Released in 1990, it reached its fifth edition by 1997, with the legendary German Konkret journal concluding that “the movement had produced its own classic.” The author, writing under the pseudonym of Geronimo, has been an autonomous activist since the movement burst onto the scene in 1980–81. In this book, he traces its origins in the Italian Autonomia project and the German social movements of the 1970s, before describing the battles for squats, “free spaces,” and alternative forms of living that defined the first decade of the autonomous movement. Tactics of the “Autonome” were militant, including the construction of barricades or throwing molotov cocktails at the police. Because of their outfit (heavy black clothing, ski masks, helmets), the Autonome were dubbed the “Black Bloc” by the German media, and their tactics have been successfully adopted and employed at anticapitalist protests worldwide. Fire and Flames is no detached academic study, but a passionate, hands-on, and engaging account of the beginnings of one of Europe’s most intriguing protest movements of the last thirty years. An introduction by George Katsiaficas, author of The Subversion of Politics, and an afterword by Gabriel Kuhn, a long-time autonomous activist and author, add historical context and an update on the current state of the Autonomen.

This book examines the synthesis of globalizing influences that precipitated the anti-authoritarian revolts in West Germany in the 1960s and 1970s.

These essays by leading figures from academia, architecture and the arts consider how cultures of memory are constructed for and in contemporary cities. They take Berlin as a key case of a historically burdened metropolis, but also extend to other global cities: Jerusalem, Buenos Aires, Cape Town and New York.

The first history of German drug culture in the psychedelic age