Originally published in 1994, Homelands, Harlem & Hollywood examines the anti-colonialist struggle against apartheid, and the ways in which American and South African culture have been fascinated with and influenced by one another. Rob Nixon’s wide-ranging analysis looks at Hollywood representations of the struggle for liberation, the impact of the Harlem Renaissance on the Sophiatown writers, the banning and censorship of television under apartheid, Mandela and messianic politics, the sports and cultural boycotts, ethnic nationalism, and the culture of violence. Nixon concludes with an investigation of how the collapse of communism and anti-communism and the rise of ethnic cleansing in Eastern Europe and the former Soviet Union had powerful implications for the shape of post-apartheid South Africa.

The television actor describes his journey from the mean streets of East Harlem to Hollywood, detailing his fall from success, his family, and his 1994 comeback

Hank Garrett was raised in a multi-cultural neighborhood. In the 1950s where poverty was a way of life, Survival was the goal and violence was the means. By age 12, Hank was carrying a .25 caliber handgun. He would either end up dead or in prison. But a serendipitous meeting with Sammy Davis Jr. changed the trajectory of Hank's life, and Hank stepped into the worlds of comedy, acting, martial arts, and wrestling. Lying about his age, at 17, Hank balanced a career as a pro wrestler with doing comedy acts at various clubs, all while still attending high school. By age 19 he had landed a role in a successful television series. With success also came challenges, however. Hank experienced love, loss, injury, and discrimination. Opportunities were lost or stolen from him. But Hank persevered. The fight inside the man, which could have proved disastrous, became his greatest asset. Up from the Streets is a true story of survival, redemption, and hope. His book, "From Harlem Hoodlum to Hollywood Heavyweight," will make you happy, sad and will make you laugh all the way through as he tells us all the stories of his life, the famous people he worked with and all he had to go through to make it from the streets of Harlem to his hard-earned stardom. He was going to survive the street life of Harlem where he learned to become a professional wrestler along with reaching the top as a martial arts expert inducted into the Hall of Fame in both sports. Hank was also an accomplished comedian and moved on to acting where he landed the part of officer Nicholson in the highly acclaimed Car 54 Where Are You. His story will surprise and entertain you as you read of all his accomplishments, his successes, the surprises in his life and the sometimes sad stories, told in his book, From Harlem Hoodlum to Hollywood Heavyweight. One thing guaranteed is that Hanks book will entertain and surprise you reading about all he accomplished in his life written with his unique style of comedy and truth. His book will leave you smiling at Hanks take on life....so far.

From "Facts of Life" to "Living Single" to "Dancing with the Stars" to wife and mom, here's the Blessed Life of Kim Fields, veteran actress, TV personality, and star. Kim Fields has lived most of her life with people thinking they know her, which is understandable. From her first job on a Mrs. Butterworth syrup commercial at age 7, she has spent 40 years in the public eye. There were 9 years as Dorothy "Tootie" Ramsey on the classic sitcom The Facts of Life, 5 more in her 20s starring as Regine Hunter on the seminal coming-of-age show Living Single, and most recently appearing as herself on Real Housewives of Atlanta and Dancing with the Stars. Behind the camera, she has directed episodes of Kenan & Kel, Tyler Perry's Meet the Browns and House of Payne, and BET's Let's Stay Together. Between gigs, the pop culture icon's life has included theater, spoken word, music, speaking engagements, and simply being present to the point that she cannot go a day without someone stopping her to say, "When I was a kid, I wanted to be Tootie" or "You were my role model." Flattered and blessed, after four decades in the business, Kim finally understands the role she has played onscreen and off as a successful, outspoken African-American woman. However, for as much as she's been in the public eye, people have really never known her the way they think they have, and that's because she, herself, spent most of her life figuring herself out. Now, at age 48, she is ready to set the record straight. She says, "It's not that I've been misunderstood. It's that I finally feel like I understand me enough to tell the life story that I've been asked to write for years." It will be a chronicle of living, learning, and keen moments of self-discovery as she's journeyed through the many facets and chapters of life. Fields found faith at age 14 and has found God to be right there every step of the way since then.

They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

A collection of humorous, autobiographical essays about a California surfer-girl who became a jazz musician famous for playing stride piano.

Richard Wesley was witness to a revolution. As both a celebrated participant and eager student of the Black Theater Movement in the late 1960s, he became part of a seismic force in American culture, breaking down barriers and helping to disrupt the cultural landscape. It’s Always Loud in the Balcony: A Life in Black Theater, from Harlem to Hollywood and Back is both history and memoir, tracing Wesley’s roots from riot-torn Newark, New Jersey, across the rocky terrain of Harlem, and finally to Hollywood, where he became partners with Sidney Poitier, writing several successful films before returning to New York and the theater world—a trip that Wesley has wryly characterized as "black power to black establishment." Wesley unfolds the history of black theater with love and precision, from the emergence of Amiri Baraka, and his own debut, the fiercely militant Black Terror—which landed him a deal with the legendary producer Joseph Papp—through his moviemaking experience in Los Angeles, working with Bill Cosby and Richard Pryor, among others. Wesley lands on solid ground in the twenty-first century as an elder statesman, a happy witness to the great success of a new breed of black theater that includes the widespread success of Tyler Perry and Lin-Manuel Miranda's Hamilton, which brought hip-hop to Broadway. It’s Always Loud in the Balcony is the passionate, firsthand account of a crucial American art movement whose effects will be felt for generations to come.