As his editor John L. Stanley points out, Georges Sorel was "that fascinating polymath." This volume, the third in his selected works in the English language published by Transaction, emphasizes Sorel's extraordinary writings in the philosophy of science, religion, culture, and art. For those who know Sorel only as author of Reflections on Violence, the present volume will come as a forceful reminder of the range and depth of Sorelian efforts to construct a world view. Sorel is throughout concerned with the moral development of human beings. In this sense, his writings on politics are of a piece with his writings on religion, "facticity" of human history and society. Sorel's earliest writings were on religion, and key portions of that period are reflected in selections here. And he went on from there to study the sociology of science, the ways in which science fits into the cultural history of civilization and present day social relationships of industrial society. Stanley provides a profound framework based on two decades of close study and translation of Sorel's texts. He helps to explain how the partial theories of Sorel lead to holistic intellectual consequences, how the psychological method does not foreclose political activism, and how historical limits can be transformed against a background of aesthetics or considerations of taste. He shows that Sorel comes as a close as Manheim and Simmel and Durkheim to the creation of a modern social science--albeit he lacks the overall philosophical theorems of people like Marx and Weber. In Sorel we have a first-class mind at work. And in Stanley, we have a first-class analyst at work. Together, the volume adds up to something special for the political scientist, sociologist, art historian, theologian--in short for those to whom the ideal of a human science endures. John L. Stanley is professor of political science at the University of California at Riverside. He is the author of The Sociology of Virtue: The Political and Social Theories of Georges Sorel. He has written many articles and reviews on the history of European political theory. With his wife, Charlotte Stanley, he has been long engaged in the translation of the works of Georges Sorel.

The prophet of social decadence, the theorist of violence and advocate of the general strike, the critic who stood Marx on his head, Georges Sorel was one of the foremost writers of this century to write extensively on the great importance of the moral aspects of social movements. His reconstruction of socialist ethics established him as one of the most remarkable critics of Marxist thought, and his writings in many aspects anticipated contemporary interpretations. From Georges Sorel, the first of two volumes of Sorel's work, presents his major contributions to social thought--articles on Marxism, religion, syndicalism, social myths, the philosophy of history and science, as well as a large and newly translated segment of "Reflections on Violence." In his introduction, John Stanley disputes the frequently encountered view of Sorel as a reactionary or extreme rightist, and emphasizes Sorel's attempt to provide Western society with a morality based on labor, struggle, and family life. Contents: Editor's Introduction; The Trial of Socrates: The Greek Oligarchy; The Socialist Future of the Syndicates; The Ethics of Socialism; Critical Essays on Marxism: Necessity and Fatalism in Marxism, Is There a Utopia in Marxism, Polemics for the Interpretation of Marxism; The Illusions of Progress: First Ideologies of Progress; Reflections on Violence: Letter to Daniel Halevy, The Proletarian Strike, The Morality of the Producers; Materials for a Theory of the Proletariat: Introduction, The Organization of Democracy; The Utility of Pragmatism: On the Origin of Truth, A Critique of Creative Evolution; A Sorel Bibliography.

Radicalism and the Revolt Against Reason is a work that continues to have a steady and large scale impact on political and social theory fifty years since its first appearance. A study of how radical thought modifies its actions and ideologies in a time of unrealized and frustrated expectations, the focus is on Georges Sorel and the Europe of the fin de siècle, a time when socialist revolution was forcefully set aside by liberal reform. In a technique that presaged contemporary period, radical demands did not simply dissolve or disappear, they profoundly changed emphasis from the impersonal forces of history to highly personal forces of individual will. This edition includes a substantial brand new introduction by the author.

"Readers of economic and political theory as well as students of economic planning will appreciate this classic, now available for the first time in English. Written eighty years ago, when Sorel became disillusioned with the official socialism of the German and French Marxist parties, this new translation presents Sorel's analysis of the rise and fall of the two great modern ideologies: socialism and liberal capitalism. At present, when the fate of both of these ideologies seems in doubt, Sorel's analysis remains particularly insightful and fresh. Sorel explains why they seem to have fallen into disrepute just as they succeeded in an almost total monopoly of power in the advanced industrial countries of the world.Sorel notes a striking parallel in the historical evolution of both bodies of thought: productivity was the foremost ideal when both movements were at their most dynamic and socially effective stage. On the other hand, they were at their most decadent state when they no longer separated themselves from politics and embraced the ideals of social unity. This work is an attack on the time-honored notion of community solidarity whose Platonic and Aristotelian versions find their contemporary counterparts in notions of natural sociability and political obligation. This work anticipates much of the thinking that lies behind Sorel's famous Reflections on Violence and clearly expresses the moral basis of that work, as well as present tendencies in normative and empirical political thought."

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This volume is a comparative study of the political thought of three writers who, between 1885 and 1914, were leaders in the counterrevolutionary movement in France. Maurice Barres was a nationalistic conservative; Charles Maurras, a classic reactionary; and Georges Sorel, a moralist and syndicalist. Different though the three men were in their conception of political order, they were in common opposed to liberal democracy as a system of government and to most of the ideology and institutions of the Third Republic. Because of their impact on the generation that guided France before World War I, and because many of their attitudes foreshadow later totalitarian programs, Sorel, Barres and Maurras have a significant place in any assessment of modern European political history. Originally published in 1959. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The fabulous life and times of one of our wittiest, most endearing and enduring caricaturists—in his own words and inimitable art. Sorel has given us "some of the best pictorial satire of our time ... [his] pen can slash as well as any sword” (The Washington Post). Alongside more than 172 of his drawings, cartoons, and caricatures—and in prose as spirited and wickedly pointed as his artwork—Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York’s famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York’s art and literary circles. As the “young lefty” becomes an “old lefty,” Sorel charts the highlights of his remarkable life, by both telling us and showing us how in magazines and newspapers, books, murals, cartoons, and comic strips, he steadily lampooned—and celebrated—American cultural and political life. He sets his story in the parallel trajectory of American presidents, from FDR’s time to the present day—with the candor and depth of insight that could come only from someone who lived through it all. In Profusely Illustrated, Sorel reveals the kaleidoscopic ways in which the personal and political collide in art—a collision that is simultaneously brilliant in concept and uproarious and beautiful in its representation.