In July 1918, sensing that the German Army had lost crucial momentum, Supreme Allied Commander Ferdinand Foch saw an opportunity to end the First World War. In drafting his plans for a final grand offensive, he assigned the most difficult sector -- the dense Argonne forest and the vast Meuse River valley -- to the American Expeditionary Forces under General John J. Pershing. There, the Doughboys faced thickly defended German lines with terrain deemed impossible to fight through. From September 26 through the November 11 armistice, US forces suffered more than 20,000 casualties a week, but the Allies ultimately prevailed in a decisive victory that helped to end the Great War. In Thunder in the Argonne, Douglas V. Mastriano offers the most comprehensive account of this legendary campaign to date. Not only does he provide American, French, and British perspectives on the offensive, but he also offers -- for the first time in English -- the German view. Mastriano presents a balanced analysis of successes and failures at all levels of command, examining the leadership of the principals while also illuminating acts of heroism by individual soldiers. The Meuse-Argonne Offensive is widely regarded as one of America's finest hours, and the amazing feats of Sergeant Alvin York, Major Charles Whittlesey of the Lost Battalion, and Lieutenant Sam Woodfill -- all accomplished in the midst of this maelstrom -- echo across the ages. Published to coincide with the centennial of the campaign, this engaging book offers a fresh look at the battle that forged the modern US Army

For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka's collection provides a diverse and vivid look into a period of history that - in many soldiers' accounts - is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading.As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.

Despite their extensive service in World War I, few members of the Kansas-Missouri 35th Division left lengthy memoirs of their experiences in the American Expeditionary Forces. But Ward Loren Schrantz filled dozens of pages with his recollections of life as a National Guard officer and machine gun company commander in the “Santa Fe” Division. In A Machine-Gunner in France, Schrantz extensively documents his experiences and those of his men, from training at Camp Doniphan to their voyage across the Atlantic, and to their time in the trenches in France’s Vosges Mountains and ultimately to their return home. He devotes much of his memoir to the Meuse-Argonne Offensive, in which the 35th Division suffered heavy casualties and made only moderate gains before being replaced by fresh troops. Schrantz provides a valuable “common soldier’s” view of why the division failed to live up to the expectations of the A.E.F. high command. Schrantz also describes the daily life of a soldier, including living conditions, relations between officers and enlisted men, and the horrific experience of combat. He paints literary portraits of the warriors who populated the A.E.F. and the civilians he encountered in France. Schrantz’s small-town newspaper experience allowed him to craft a well-written and entertaining narrative. Because he did not intend his memoir for publication, the Missourian wrote in an honest and unassuming style, with extensive detail, vivid descriptions, and occasional humor. Editor Jeffrey Patrick combines his narrative with excerpts from a detailed history of the unit that Schrantz wrote for his local newspaper, and also provides an editor’s introduction and annotations to document and explain items and sources in the memoir. This is not a romantic account of the war, but a realistic record of how American citizen-soldiers actually fought on the Western Front.