Notably, studies on the Arabic novel tend to focus on canonical writers, like the Egyptian novelist and Nobel laureate Naguib Mahfouz (1911–2006), and leave out or just mention en passant the work of others. This book is not concerned with the ways in which the Arabic novel breaks away from or reproduces Mahfouz’s approach and techniques, but focuses instead on the way in which the authors in question engage with the phenomena of nationalism, feminism, post- and neo-colonialism, civil war, and social change in the Arab world using an urban scenario as their privileged point of observation. The Arabic city is privileged as a focal point because it is the space where the struggles over issues of nation-building, gender, religion, and class, as well as the patriarchal, colonialist, Zionist, and sectarian violence linked to these issues, manifest themselves most evidently. To this end, From Damascus to Beirut: Contested Cities in Arab Writing brings together four novels published between 1969 and 1989, which have never been approached from this perspective nor put in this kind of dialogue before. Ulfat Idilbi’s Damascus, Ghassan Kanafani’s Haifa, Ahlam Mosteghanemi’s Constantine, and Elias Khoury’s Beirut are social and historical products, and, as such, as Henri Lefebvre maintains, are deeply rooted in politics and affected by ideology. The cities discussed here, in fact, display the ebbs and flows of political and social life in their respective countries and in the Arab world in general. Each city stands at a crucial point in the history of the Arab world, and the way in which they are represented by their respective authors sets the stage for, and sometimes even foreshadows, an upcoming defeat or disappointment. Albeit for different reasons, Damascus, Haifa, Constantine and Beirut are all expressions of failures either on national, political, social, or economic levels. Paradoxically, however, they are also the repositories of their people’s hopes and aspirations, as well as of their disappointments. Analysing these novels as such, this book will be of particular interest to postcolonial readers and, more importantly, to English-speaking readers who are interested in the study of modern Arabic literature. Its close textual analysis offers the reader new tools not only for understanding themes and narrative techniques pertaining to the Arabic novel, but also the contemporary political, cultural and social issues that produced them.

A CINEMATIC DEBUT OF A PROMISING YOUNG NOVELIST FROM LEBANON--A FAUX-THRILLER ABOUT A RECLU­SIVE BOTANIST WHO WIT­NESS­ES A POLIT­I­CAL MUR­DER AND IS DRAWN INTO A PER­SON­AL INVES­TI­GA­TION--A captivating thriller that reveals a family’s intergenerational secrets, a nation’s deepest fears, and an underground world of politics, religion, and society. Beirut at dawn. A bus leaves the Charles Helou station en route to Damascus. Seven passengers are on board, one of whom is a prominent Lebanese politician. Before crossing the border, the bus is accosted and derailed. All seven passengers are gunned down. A botanist studying a rare occurrence of acacias nearby witnesses the horror. While the nation around him plunges into conspiracy theories and chaos, the botanist realizes he holds the only clue to the mystery: his injured Acacia. This sends him on a quest for answers, through a minefield of national fears and family secrets, deep into a private underworld.

For the first time in my life, I was shot at as I approached the Beirut shore. I know now that if they wanted to kill me, they could have that night. This is just one of the many adventures the author has faced during his 44 years of living and working in the volatile Middle East. As the famous writer and lecturer, Helen Keller once wrote: "Life is a daring adventure, or it is nothing at all". In the author's own lifetime he has experienced a profuse number of adventures, and many were truly amazing life-changing episodes, in fact so many that he has decided to share them by writing his third book, The Last American in Damascus.

Leila Fawaz's pioneering study tells the story of the 1860 civil wars that began in Mount Lebanon and spilled over into Damascus. This period witnessed the most severe outbreak of sectarian violence in the history of Ottoman Syria and Lebanon. The author's close analytical narrative of the dramatic events of that year is set against the broader themes of nineteenth-century social, political, and economic change. Fawaz shows how social conflict, including "ethnic" civil wars, cannot be explained without analyzing the regional and international currents that play upon both central state power and local autonomy. She also demonstrates the important role of the communal balance between social and political institutions within regions. Fawaz's new insights into the formation of sectarian identities and conflict will make An Occasion for War essential reading for all students of the modern Middle East.