Long before Ruhi fell pregnant, she knew she was never going to be the 'good Indian daughter' her parents demanded. But when the discovery that she is having a girl sends her into a slump of disappointment, it becomes clear she's getting weighed down by emotional baggage that needs to be unpacked, quickly. So Ruhi sets herself a mission to deal with the potholes in her past before her baby is born. Delving into her youth in suburban Melbourne, she draws a heartrending yet often hilarious picture of a family in crisis, struggling to connect across generational, cultural and personal divides. Sifting through her own shattered self-esteem, Ruhi confronts the abuse threaded through her childhood. How can she hold on to the family and culture she has known and loved her whole life, when they are the reason for her scars? Good Indian Daughter is a brutally honest yet brilliantly funny memoir for anyone who's ever felt like a let-down.

This book presents a compilation of chapters relating to the socio-cultural experiences of Malaysian Indian women. It includes a historical background covering Indian women’s migration to Malaya, and explores the lived realities of contemporary Indian women who are members of this minority ethnic group in the country. The authors cover a wide range of issues such as gender inequality, poverty, the involvement of women in performing arts, work, inter‐personal relationships, and well-being and happiness, drawing on substantial empirical data through a gendered lens. This book addresses the gap in the intersectional gender studies literature on minority groups of women in Malaysia, while simultaneously highlighting the multiple forms of subordination minority women - particularly Indian women - experience in society, including those that arise from gender‐ethnic intersectionality. In examining the case of Indian women in Malaysia, it also speaks to and enriches existing literature on the lives of minority groups of women in the Global South more broadly This anthology is beneficial to researchers and students in the social sciences, particularly in disciplines related to gender studies and minority studies. In addition, it is also useful for policy makers and social activists working with minority women in the Global South.

"Ida Pruitt, born of American missionaries and raised in a rural Chinese village at the end of the nineteenth century, witnessed almost a century of China's revolutionary upheavals. She was the first Director of Social Service at the Peking Union Medical College, where she established social casework in China. She later served as the executive secretary of the American Committee in Support of the Chinese Industrial Cooperatives, the only U.S. aid agency to provide support to both Nationalist and Communist regions during the Chinese Civil War. She was also one of the early advocates for U.S. diplomatic recognition of the People's Republic of China. Her two notable books, A Daughter of Han: the Autobiography of a Chinese Working Woman, Ning Lao T'ait'ai and Old Madam Yin: A Memoir of Peking, 19261938, have become classics in Chinese Studies and Women's Studies." -- Publisher's description.

In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.

Satirical and sympathetic, political and personal, A Certain Exposure traces the adolescences of twin brothers Andrew and Brian, culminating in the explosive events leading to Andrew’s tragic death. This is a classic coming-of-age tale doubled across two vividly individual brothers, who struggle to navigate a complex tangle of relationships and coercive forces, cinematically interwoven with the yearnings and fears of an ensemble of mothers, fathers, cousins, friends and lovers both false and true. This wide-ranging debut beautifully presents the resonances and the ghosts of lost possibilities, as well as a gripping story of hope and betrayal.