The nine papers in this volume, presented by former colleagues and students of the late Rodney S. Young, are representative of Young's archaeological interests: Athens, where he received his archaeological training, and Gordion, where he achieved his greatest successes. This book will prove valuable to students and scholars interested in the interconnections between Greece and Anatolia from the Bronze Age through classical times. University Museum Papers 1

Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.

The period of Anatolian history between the death of the semi-legendary king Midas of Gordion ca. 700 BC and the advent of the Achaemenid Persian Empire ca. 550 BC is dominated by certain narratives: the rise of the Mermnad Lydian Kingdom, from Gyges to Croesus; the demise of the Urartian Kingdom and ‘Neo-Hittite’-type culture and polities; and the invasion of shadowy forces from the Steppe: Cimmerians, Scythians and Medes. The discoveries of Geoffrey and Francoise Summers’s project at the massive walled city on Kerkenes Da?? have changed the cultural history and texture of Anatolia during this time period, opening up insights into the spread of Phrygian culture and language and inviting further discussion of how the period is framed. This book honors their accomplishments by presenting papers addressing the dynamics and events of that period from various angles, and in various regions and places, as well as other interventions on Iron Age Anatolia, from dating of kings to rare and potentially influential medical techniques. The volume sheds light on and also advocates for further synthesis of the regional dynamics affecting the Mediterranean, Near East and Anatolia together, toward the production of revised, more nuanced narratives.

Among maternal deities of the Greek pantheon, the Mother of the Gods was a paradox. She is variously described as a devoted mother, a chaste wife, an impassioned lover, and a virgin daughter; she is said to be both foreign and familiar to the Greeks. In this erudite and absorbing study, Mark Munn examines how the cult of Mother of the Gods came from Phrygia and Lydia, where she was the mother of tyrants, to Athens, where she protected the laws of the Athenian democracy. Analyzing the divergence of Greek and Asiatic culture at the beginning of the classical era, Munn describes how Kybebe, the Lydian goddess who signified fertility and sovereignty, assumed a different aspect to the Greeks when Lydia became part of the Persian empire. Conflict and resolution were played out symbolically, he shows, and the goddess of Lydian tyranny was eventually accepted by the Athenians as the Mother of the Gods, and as a symbol of their own sovereignty. This book elegantly illustrates how ancient divinities were not static types, but rather expressions of cultural systems that responded to historical change. Presenting a new perspective on the context in which the Homeric and Hesiodic epics were composed, Munn traces the transformation of the Asiatic deity who was the goddess of Sacred Marriage among the Assyrians and Babylonians, equivalent to Ishtar. Among the Lydians, she was the bride to tyrants and the mother of tyrants. To the Greeks, she was Aphrodite. An original and compelling consideration of the relations between the Greeks and the dominant powers of western Asia, The Mother of the Gods, Athens, and the Tyranny of Asia is the first thorough examination of the way that religious cult practice and thought influenced political activities during and after the sixth and fifth centuries B.C.

First comprehensive collection of evidence of the relations between Athens and Persia in fifth century BC.

Striking similarities in Etruscan and Anatolian material culture reveal various forms of contact and exchange between these regions on opposite sides of the Mediterranean. This is the first comprehensive investigation of these connections, approaching both cultures as agents of artistic exchange rather than as side characters in a Greek-focused narrative. It synthesizes a wide range of material evidence from c. 800 – 300 BCE, from tomb architecture and furniture to painted vases, terracotta reliefs, and magic amulets. By identifying shared practices, common visual language, and movements of objects and artisans (from both east to west and west to east), it illuminates many varied threads of the interconnected ancient Mediterranean fabric. Rather than trying to account for the similarities with any one, overarching theory, this volume presents multiple, simultaneous modes and implications of connectivity while also recognizing the distinct local identities expressed through shared artistic and cultural traditions.

Tumuli were the most widespread form of monumental tombs in the ancient world. Their impact on landscape, their allurement as well as their symbolic reference to a glorious past can still be felt today. The need of supra-regional and cross-disciplinary examination of this unique phenomenon led to an international conference in Istanbul in 2009. With almost 50 scholars from 12 different countries participating, the conference entitled TumulIstanbul created links between fields of research which would not have had the opportunity to meet otherwise. The proceedings of TumulIstanbul revolve around the question of the symbolic significance of burial mounds in the 1st millennium BC in the Eastern Mediterranean and Black-Sea regions, providing further insight into Kurgan neighbours from Eurasia.