From Athens to America calls for the reversal of the withdrawal of the character-forming function from the political domain, arguing for public sector--federal, state, and local--involvement in character formation. Solomon focuses on four specific virtues to serve as a guide to public policy formation: self-esteem, joy and optimism, equanimity, and personal responsibility. He calls for the public sector to move beyond the efforts of families, faith communities, and civic organizations, and take a vital role in fostering character development and promoting these virtues. Combining political science with philosophy, the Judeo-Christian tradition, and medical research, this book illustrates how we formulate public policies that enable people to grow and develop into healthy humans, what each of us is fully capable of becoming.

Although this booklet is based on broken pottery found during the excavation of the Agora, the author ranges far beyond the confines of Athens in her discussion of the purpose and significance of different amphora types. Amphoras were used in the ancient world to transport various different types of products, including wine and oil. The author shows how chronological variations in shape and the geographical clues offered by stamped handles make amphoras a fascinating source of economic information. The booklet illustrates many different forms of amphora, all set into context by the well-written text.

In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.

Wages of Appeasement explores the reasons why a powerful state gives in to aggressors. It tells the story of three historical examples of appeasement: the greek city-states of the fourth century b.c., which lost their freedom to Philip II of Macedon; England in the twenties and thirties, and the failure to stop Germany's aggression that led to World War II; and America's current war against Islamic jihad and the 30-year failure to counter Iran's attacks on the U.S. The inherent weaknesses of democracies and their bad habit of pursuing short-term interests at the expense of long-term security play a role in appeasement. But more important are the bad ideas people indulge, from idealized views of human nature to utopian notions like pacifism or disarmament. But especially important is the notion that diplomatic engagement and international institutions like the u.n. can resolve conflict and deter an aggressor––the delusion currently driving the Obama foreign policy in the middle east. Wages of Appeasement combines narrative history and cultural analysis to show how ideas can have dangerous and deadly consequences.

Beginning with v. 5, 1914, contains the annual reports of the Institute and the schools, the minutes of the Council, the directory, and announcements of an official nature; the non technical matter formerly appearing in the quarterly Bulletin has been included in Art and archaeology since 1914. Cf. Bulletin, v. 5, Editorial note.