Penelope Anderson's original study changes our understanding both of the masculine Renaissance friendship tradition and of the private forms of women's friendship of the eighteenth century and after. It uncovers the latent threat of betrayal lurking within politicized classical and humanist friendship, showing its surprising resilience as a model for political obligation undone and remade. Incorporating authors from Cicero to Abraham Cowley and Margaret Cavendish to Mary Astell, the book focuses on two extraordinary women writers, the royalist Katherine Philips and the republican Lucy Hutchinson. And it explores the ways in which they appropriate the friendship tradition in order to address problems of conflicting allegiances in the English Civil Wars and Restoration. As Penelope Anderson suggests, their writings on friendship provide a new account of women's relation to public life, organized through textual exchange rather than bodily reproduction.

"The oppression of Blacks is America's original sin -- a sin that took root in 1619 and plagues the country to this day. Yet there have been instances of interracial bonding and friendship even in the worst of times. In Stars and Shadows -- a term taken from Huckleberry Finn -- Saladin Ambar analyzes two centuries of noteworthy interracial friendships that served as windows into the state of race relations in the US and, more often than not, as models for advancing the cause of racial equality."--

The acclaimed writer shares an intimate portrait of his former mentor V.S. Naipaul in this memoir of their thirty-year friendship and sudden falling out. Paul Theroux was a young aspiring writer when he met the legendary V.S. Naipaul in Uganda in 1966. There began a friendship that would span continents as both men ascended the ranks of literary stardom. Naipaul’s early encouragement of Theroux’s talent had a profound impact on him—yet the apprenticeship was not always easy. This heartfelt and revealing account of Theroux's thirty-year friendship with Naipaul explores the unique effect each writer had on the other. Built around exotic landscapes, anecdotes that are revealing, humorous, and melancholy, and three decades of mutual history, this is a personal account of how one develops as a writer and how a friendship waxes and wanes between two men who have set themselves on the perilous journey of a writing life. A New York Times Notable Book

Penelope Anderson's original study changes our understanding both of the masculine Renaissance friendship tradition and of the private forms of women's friendship of the eighteenth century and after. It uncovers the latent threat of betrayal lurking within politicized classical and humanist friendship, showing its surprising resilience as a model for political obligation undone and remade. Incorporating authors from Cicero to Abraham Cowley and Margaret Cavendish to Mary Astell, the book focuses on two extraordinary women writers, the royalist Katherine Philips and the republican Lucy Hutchinson. And it explores the ways in which they appropriate the friendship tradition in order to address problems of conflicting allegiances in the English Civil Wars and Restoration. As Penelope Anderson suggests, their writings on friendship provide a new account of women's relation to public life, organized through textual exchange rather than bodily reproduction.

Fans of Coraline, Doll Bones and The Night Gardener will devour this award winning dark fantasy about twelve-year-old Emmeline who is desperate to save the only friend she has ... her own shadow. But what happens when her shadow starts craving a life of its own? A Texas Bluebonnet Nominee Emmeline's gift to control and manipulate shadows makes her the subject of mockery...and fear. Forbidden to leave home by her parents, Emmeline's closest confidant is her own shadow, Dar. When a noble stranger visits and offers her parents a cure, Emmeline is terrified of losing her power—and her only friend. So Dar proposes a deal: she will change the noble's mind if Emmeline will help her become flesh. When the man ends up in a coma, Emmeline is stunned—and blamed. Now forced to flee, her only hope of clearing her name is to find a way to give the shadow she's no longer sure she can trust what it craves—life. With the gripping feel of a new classic, award winning Shadow Weaver will enthrall middle school readers who love fantasy, magic, and danger. Perfect for 5th grade and above.

A gentle story about sadness showing that sometimes all you need to feel better is the openness of someone who accepts you as you are.