Richard Crouter illustrates how Schleiermacher's work draws from both the Enlightenment and Romanticism. The book's three sections include illuminating sketches of Schleiermacher's relationship to contemporaries, his work as a public theologian, and the formation and impact of his two most famous books, On Religion and The Christian Faith.

Friedrich Schleiermacher's groundbreaking work in theology and philosophy was forged in the cultural ferment of Berlin at the convergence of the Enlightenment and Romanticism. The three sections of this book include illuminating sketches of Schleiermacher's relationship to contemporaries (Mendelssohn, Hegel and Kierkegaard), his work as public theologian (dialogue on Jewish emancipation, founding the University of Berlin) as well as the formation and impact of his two most famous books, On Religion: Speeches to its Cultured Despisers and The Christian Faith. Richard Crouter examines Schleiermacher's stance regarding the status of doctrine, Church and political authority, and the place of theology among the academic disciplines. Dedicated to the Protestant Church in the line of Calvin, Schleiermacher was equally a man of the university who brought the highest standards of rationality, linguistic sensitivity and a sense of history to bear upon religion.

An introduction to all the important aspects of Schleiermacher's thought in a systematic way.

In The Veiled God, Ruth Jackson Ravenscroft offers a detailed portrait of Friedrich Schleiermacher’s early life, ethics, and theology in its historical and social context, and critically reflects on the enduring relevance of his work for the study of religion.

Often referred to as the father of modern theology, F.D.E. Schleiermacher occasioned a revolution in theology having a decisive impact on all subsequent theology. In this original study, Jacqueline Mariña argues that Schleiermachers philosophical ethics constitutes a completely original project, and is arguably his most important achievement. Mariña examines Schleiermachers claim that the self relates to the whence of all that is through the ground of self-consciousness, and shows how this understanding allowed him to develop a philosophical system integrally linking religion and ethics. Because this whence relates to self-consciousness in the way of a formal cause, the most important criteria for what constitutes genuine religion are the ethical fruits expressive of a proper relation to the divine. In Christian Faith Schleiermacher argues that insofar as the personal self-consciousness has been transformed through openness to this whence, the actions that arise from it, too, will be different from those of the former self. This book is an analysis of how Schleiermacher conceived of this transformation, the conditions of its possibility, and the nature of its effects. This is accomplished through an examination of his metaphysics of the self, especially Schleiermachers understanding of the immediate self-consciousness and its relation to the divine causality, the nature of self-consciousness and personal identity, the nature of agency, and the relation between self and society. This book demonstrates that Schleiermachers achievement offers a compelling, live option for contemporary debates concerning the relation of religion and morality.

This eagerly awaited study brings to completion Louis Dupré's planned trilogy on European culture during the modern epoch. Demonstrating remarkable erudition and sweeping breadth, The Quest of the Absolute analyzes Romanticism as a unique cultural phenomenon and a spiritual revolution. Dupré philosophically reflects on its attempts to recapture the past and transform the present in a movement that is partly a return to premodern culture and partly a violent protest against it. Following an introduction on the historical origins of the Romantic Movement, Dupré examines the principal Romantic poets of England (Wordsworth, Coleridge, Shelley, Keats), Germany (Goethe, Schiller, Novalis, Hölderlin), and France (Lamartine, de Vigny, Hugo), all of whom, from different perspectives, pursued an absolute ideal. In the chapters of the second part, he concentrates on the critical principles of Romantic aesthetics, the Romantic image of the person as reflected in the novel, and Romantic ethical and political theories. In the chapters of the third, more speculative, part, he investigates the comprehensive syntheses of romantic thought in history, philosophy, and theology. The Quest of the Absolute is an important work both as the culmination of Dupré's ongoing project and as a classic in its own right. The book will meet the expectations of the specialist as well as appeal to more general readers with philosophical, cultural, and religious interests.