Friedrich Schiller, the great German classical poet and friend of the American Revolution, assigned to art the task of ennobling the spirit of Man, especially at those times when political circumstances are most unfavorable, men most degraded, and when the qualities of genius are most urgently required to find a way to avert political catastrophe. Reading Schiller’s poetry, as well as his historical, philosophical, and aesthetic works, has precisely the effect on the sensitive reader of which Schiller informed us--to produce in the reader an ennobling power which then continues to exist long after the reading is done. This is volume 3 of the four volume collection of translations. Volume 3 includes Schiller Institute English translations of the following: The Virgin of Orleans--a drama about the life of Joan of Arc Introduction to The History of the Revolt of the Netherlands Against Spanish Rule Homage to the Arts The Diver Philosophical Letters On the Sublime On Naive and Sentimental Poetry

Friedrich Schiller, the great German classical poet and friend of the American Revolution, assigned to art the task of ennobling the spirit of Man, especially at those times when political circumstances are most unfavorable, men most degraded, and when the qualities of genius are most urgently required to find a way to avert political catastrophe. Reading Schiller’s poetry, as well as his historical, philosophical, and aesthetic works, has precisely the effect on the sensitive reader of which Schiller informed us--to produce in the reader an ennobling power which then continues to exist long after the reading is done. This is volume II of the four volume collection of translations. Volume II includes Schiller Institute English translations of the following: Wilhelm Tell The Parasite What Is, and to What End Do We Study, Universal History The Legislation of Lycurgus and Solon On Grace and Dignity Kalias, or, On the Beautiful The Mission of Moses

Friedrich Schiller, the great German classical poet and friend of the American Revolution, assigned to art the task of ennobling the spirit of Man, especially at those times when political circumstances are most unfavorable, men most degraded, and when the qualities of genius are most urgently required to find a way to avert political catastrophe. Reading Schiller’s poetry, as well as his historical, philosophical, and aesthetic works, has precisely the effect on the sensitive reader of which Schiller informed us--to produce in the reader an ennobling power which then continues to exist long after the reading is done. This is volume IV of the four volume collection of translations. Volume IV includes Schiller Institute English translations of the following: Mary Stuart The Artists Shakespeare's Shade Some Thoughts on the First Human Society . . . Philosophy of Physiology On the Reason We Take Pleasure in Tragic Subjects On Tragic Art On the Employment of the Chorus in Tragedy

Don Carlos, Infante of Spain--Letters on Don Carlos--Theater considered as a moral institution--Over the aesthetical education of man--Poems--The Ghost seer.

Friedrich Schiller, the great German classical poet and friend of the American Revolution, assigned to art the task of ennobling the spirit of Man, especially at those times when political circumstances are most unfavorable, men most degraded, and when the qualities of genius are most urgently required to find a way to avert political catastrophe. Reading Schiller’s poetry, as well as his historical, philosophical, and aesthetic works, has precisely the effect on the sensitive reader of which Schiller informed us--to produce in the reader an ennobling power which then continues to exist long after the reading is done. This is volume I of the four volume collection of translations. Volume I includes Schiller Institute English translations of the following: Don Carlos, Infante of Spain Letters on Don Carlos Theater Considered As A Moral Institution Over the Aesthetical Education of Man Many Poems including “To Joy” The Ghost Seer

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).