Freud’s British Family presents ground-breaking research into the lives of the British branch of the Freud family, their connections to the founder of psychoanalysis, and into Freud’s relationship to Britain. Documenting the complex relationships the elder Freud brothers had with their much younger brother Sigmund, Freud’s British Family reveals the significant influence these hitherto largely forgotten Freuds had on the mental economy of the founder of psychoanalysis. Roger Willoughby shows how these key family relationships helped shape Freud’s thinking, attitudes, and theorising, including emerging ideas on rivalry, the Oedipus complex, character, and art. In addition to considering their correspondence and meetings with Freud in continental Europe, the book carefully documents Freud’s own visits to his brothers and to Britain in 1875 and again in 1908. Freud’s British Family concludes with a discussion of Freud’s final 15 months in London after he left Nazi Vienna as a refugee. Freud’s British Family offers a rich, contextualised understanding of the sibling, familial, and socio-cultural ties that went into forming the tapestry of psychoanalysis. Freud’s British Family will be of great interest to psychoanalysts and psychotherapists in practice and in training, and to scholars of the history of psychoanalysis, twentieth century history, psychosocial studies, and Jewish studies.

Despite his worldwide reputation as the father of modern psychology, Sigmund Freud’s security in his native Vienna changed overnight when Hitler’s forces annexed Austria on March 12, 1938. His books had already been burned across Germany, and now he and his family were at immediate risk. The Nazis carried out regular raids on Jewish families’ homes, and the Freuds were no exception. They suffered a period of house arrest and two months of uncertainty, before finally securing papers for emigration to England and making a last-minute dramatic escape. It was after becoming refugees in Britain, however, that the Freuds’ story takes a fascinating turn. Following their escape from Austria, both Sigmund’s son Martin and his grandson Walter enlisted in the British Forces, going on to fight for Britain behind enemy lines in Austria.

Accompanying CD-ROM includes catalog of Freud's library including descriptions of titles, ownership signatures, dedications, and marginalia, with illustrations in JPEG format.

Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud’s world. His clients constituted a “Who’s Who” of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.

The authors explore the influence of Freud's thinking on twentieth-century intellectual and scientific life within Cambridge and beyond.

Élisabeth Roudinesco’s bold reinterpretation of Sigmund Freud is a biography for the twenty-first century—a sympathetic yet impartial appraisal of a genius admired but misunderstood in his time and ours. Alert to tensions in his character and thought, she views Freud less as a scientific thinker than as an interpreter of civilization and culture.

It is 1914, and Thomas Maggs, the son of the local publican, lives with his parents and sister in a village on the Suffolk coast. He is the youngest child, and the only son surviving. Life is quiet - shaped by the seasons, fishing and farming, the summer visitors, and the girls who come down from the Highlands every year to gut and pack the herring. Then one day a mysterious Scotsman arrives. To Thomas he looks for all the world like a detective, in his black cape and hat of felted wool, and the way he puffs on his pipe as if he's Sherlock Holmes. Mac is what the locals call him when they whisper about him in the Inn. And whisper they do, for he sets off on his walks at unlikely hours, and stops to examine the humblest flowers. He is seen on the beach, staring out across the waves as if he's searching for clues. But Mac isn't a detective, he's the architect Charles Rennie Mackintosh, and together with his red haired artist wife, they soon become a source of fascination and wonder to Thomas Yet just as Thomas and Mac's friendship begins to blossom, war with Germany is declared. The summer guests flee and are replaced by regiments of soldiers on their way to Belgium, and as the brutality of war weighs increasingly heavily on this coastal community, they become more suspicious of Mac and his curious behaviour... In this tender and compelling story of an unlikely friendship, Esther Freud paints a vivid portrait of a home front community during the First World War, and of a man who was one of the most brilliant and misunderstood artists of his generation. It is her most beautiful and masterful work.