Fresh Kills—a monumental 2,200-acre site on Staten Island—was once the world’s largest landfill. From 1948 to 2001, it was the main receptacle for New York City’s refuse. After the 9/11 attacks, it reopened briefly to receive human remains and rubble from the destroyed Twin Towers, turning a notorious disposal site into a cemetery. Today, a mammoth reclamation project is transforming the landfill site, constructing an expansive park three times the size of Central Park. Martin V. Melosi provides a comprehensive chronicle of Fresh Kills that offers new insights into the growth and development of New York City and the relationship among consumption, waste, and disposal. He traces the metamorphoses of the landscape, following it from salt marsh to landfill to cemetery and looks ahead to the future park. By centering the problem of solid-waste disposal, Melosi highlights the unwanted consequences of mass consumption. He presents the Fresh Kills space as an embodiment of massive waste, linking consumption to the continuing presence of its discards. Melosi also uses the landfill as a lens for understanding Staten Island’s history and its relationship with greater New York City. The first book on the history of the iconic landfill, Fresh Kills unites environmental, political, and cultural history to offer a reflection on material culture, consumer practices, and perceptions of value and worthlessness.

"Formerly a symbol of immense urban waste, the Fresh Kills Landfill is being transformed into an enormous parkland destined to exemplify the values of ecological restoration and environmental sustainability. In partnership with the New York City Department of Parks & Recreation, the Land Art Generator Initiative held an ideas competition for a site-specific public artwork designed to operate as a source of clean energy for the city utility grid, using Freshkills Park as the design site. This volume features many of the top submissions to that open call, each with the capacity to power hundred of homes. The Land Art Generator Initiative creates sustainable design solutions that integrate art and technology into renewable energy infrastructure around the world. Regenerative Infrastructures draws a much needed connection between the two critical issues of sustainable development--energy generation and waste management--highlighting solutions that address both problems at once, thereby creating economically beneficial hybrid utility installations." -- Publisher's description.

Winner of the 2021 John Burroughs Medal for Distinguished Natural History Writing "This deeply nourishing book invites us to reclaim reciprocity with the living world." —Robin Wall Kimmerer, author of Braiding Sweetgrass Once, farmers and rural people knew how to prune hazel to foster abundance: both of edible nuts and of straight, strong, flexible rods for bridges, walls, and baskets. Townspeople felled their beeches to make charcoal to fuel ironworks. Shipwrights shaped oaks to make hulls. No place could prosper without its inhabitants knowing how to cut their trees so they would sprout again. Pruning the trees didn’t destroy them. Rather, it created the healthiest, most sustainable and diverse woodlands that we have ever known. Arborist William Bryant Logan offers us both practical knowledge about how to live with trees to mutual benefit and hope that humans may again learn what the persistence and generosity of trees can teach. He recovers the lost tradition that sustained human life and culture for ten millennia.

With his wife Maxine out of town, Artie Cohen is alone in Manhattan when his nephew Billy Farone is released for a couple of weeks from the young offenders' institution where he has been since he stabbed Heshey Shank to death. Artie is the one Billy wants to come home to, the only person Billy cares about, the man Billy wants to be. Now a handsome, intelligent and funny boy of fourteen, Billy seems to be cured, to be free of whatever it was - sickness, evil - that made him kill Shank. Artie believes, wants desperately to believe, that Billy is OK. But from the moment a small plane crashes on to the beach at Coney Island, bombs go off in London, and New York is shaken out of the sense that the bad times are over, Artie begins to wonder. There are signs that Heshey Shank's family want Billy locked up for good. And Billy's mother doesn't want him coming home. Then bodies begin to appear and Artie, up against a brick wall of his own hope and despair, doesn't know what or whom to believe ...

Winner of the 2015 PROSE Award for US History A “fascinating, encyclopedic history…of greater New York City through an ecological lens” (Publishers Weekly, starred review)—the sweeping story of one of the most man-made spots on earth. Gotham Unbound recounts the four-century history of how hundreds of square miles of open marshlands became home to six percent of the nation’s population. Ted Steinberg brings a vanished New York back to vivid, rich life. You will see the metropolitan area anew, not just as a dense urban goliath but as an estuary once home to miles of oyster reefs, wolves, whales, and blueberry bogs. That world gave way to an onslaught managed by thousands, from Governor John Montgomerie, who turned water into land, and John Randel, who imposed a grid on Manhattan, to Robert Moses, Charles Urstadt, Donald Trump, and Michael Bloomberg. “Weighty and wonderful…Resting on a sturdy foundation of research and imagination, Steinberg’s volume begins with Henry Hudson’s arrival aboard the Half Moon in 1609 and ends with another transformative event—Hurricane Sandy in 2012” (The Plain Dealer, Cleveland). This book is a powerful account of the relentless development that New Yorkers wrought as they plunged headfirst into the floodplain and transformed untold amounts of salt marsh and shellfish beds into a land jam-packed with people, asphalt, and steel, and the reeds and gulls that thrive among them. With metropolitan areas across the globe on a collision course with rising seas, Gotham Unbound helps explain how one of the most important cities in the world has ended up in such a perilous situation. “Steinberg challenges the conventional arguments that geography is destiny….And he makes the strong case that for all the ecological advantages of urban living, hyperdensity by itself is not necessarily a sound environmental strategy” (The New York Times).

Poetry. "The work of David Breskin is political, lyrical and funny. In poems like 'Smart Money, ' a denunciation of money's arrogance, his intelligence has the power to sing. A classic of its kind, 'Da Hood' contains all the virtues of his writing: compression, conceptual energy, humor; 'Town Crier' displays his edgy lyricism. A poet of concentrated language, Breskin is also an astute cultural critic. At his best, he is among the finest younger poets now writing" Paul Hoover."