For art lovers unable to visit Soviet museums, for anyone fascinated by painters' views of past and present times, this large and brilliant display of French paintings in the Pushkin Museum is a source of lasting joy.

"Illustrated and beautifully produced, Old Masters, Impressionists & Modern tells the story of the Russian taste for French art. Essays highlight such collectors as Catherine the Great, members of the Russian nobility such as the Yusupovs and the Golitsyns, and the early twentieth-century merchant-patrons Sergei Shchukin and Ivan Morozov. The book's authors relate how works from these distinguished collections were united at the Pushkin Museum to form one of the most impressive arrays of French paintings outside of France. The book reproduces and discusses seventy-six of the museum's most important holdings, including masterpieces by Nicolas Poussin, Jacques-Louis David, Jean-Auguste-Dominique Ingres, Camille Corot, Auguste Renoir, Claude Monet, Vincent van Gogh, Paul Gauguin, Paul Cezanne, Henri Matisse, and Pablo Picasso, some of which are also landmark works in the history of art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.

“An unforgettable story of love, survival and the power of imagination in the most tragic circumstances. Elegant and poetic.” —Isabel Allende, New York Times bestselling author of Zorro The ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind—a refuge that would stay buried deep within her, until she needed it once more. . . . “Extraordinary. . . . Dean’s exquisite prose shimmers . . . illuminating us to the notion that art itself is perhaps our most necessary nourishment.” —Chang-Rae Lee, New York Times bestselling author of Aloft and Native Speaker “A poignant tale.” —Booklist, starred review “Dean writes with passion and compelling drama.” —People “Rare is the novel that creates that blissful forgot-you-were-reading experience . . . but that is precisely what Debra Dean has achieved with her image-rich book.” —Seattle Post-Intelligencer “Poetic.” —San Francisco Chronicle Book Review “[A] heartfelt debut.” —New York Times Book Review “Remarkable”— NPR, Nancy Pearl Book Review

The Russians have loved and admired French art since its first flowering after the Renaissance. This selection represents the most representative works of the French masters in the 500 years during which French painting dominated the art world.