The renowned art historian Andre Chastel intended his history of art in France from prehistoric times to the nineteenth century to be the crowning achievement of his long and distinguished career. The fruit of ten years of research and writing, this fully documented and erudite study goes beyond conventional art historical analysis to get at the heart of over two millenia of artistic creation.

The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.

Historical Dictionary of Rococo Art covers all aspects of Rococo art history through a chronology, an introductory essay, a review of the literature, an extensive bibliography, and over 350 cross-referenced dictionary entries on prominent Rococo painters, sculptors, decorative artists, architects, patrons, theorists, and critics, as well as major centers of artistic production. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rococo art.

Guercino's Paintings and His Patrons' Politics in Early Modern Italy examines how the seventeenth-century Italian painter Giovanni Francesco Barbieri (better known as Il Guercino) instilled the political ideas of his patrons into his paintings. As it focuses on eight works showing religious scenes and scenes taken from Roman history, this volume bridges the gap between social and cultural history and the history of art, untangling the threads of art, politics, and religion during the time of the Thirty Years' War. A prolific painter, Guercino enjoyed the patronage of such luminaries as Pope Gregory XV, Cardinals Serra, Ludovisi, Spada, and Magalotti, and the French secretary of state La Vrilli?. While scholarly research has been devoted to Guercino's oeuvre, this book is the first to place his works squarely in the context of the political and social circumstances of seventeenth-century Italy, stressing the points of view and agendas of his powerful patrons. What were once meanings only apparent to the educated elite?or those familiar with the political affairs of the time?are now scrutinized and clarified for an audience far from the struggles of early modern Europe.

How did warrior nobles’ practices of violence shape provincial society and the royal state in early seventeenth-century France? Warrior nobles frequently armed themselves for civil war in southern France during the troubled early seventeenth century. These bellicose nobles’ practices of violence shaped provincial society and the royal state in early modern France. The southern French provinces of Guyenne and Languedoc suffered almost continual religious strife and civil conflict between 1598 and 1635, providing an excellent case for investigating the dynamics of early modern civil violence. Warrior Pursuits constructs a cultural history of civil conflict, analyzing in detail how provincial nobles engaged in revolt and civil warfare during this period. Brian Sandberg’s extensive archival research on noble families in these provinces reveals that violence continued to be a way of life for many French nobles, challenging previous scholarship that depicts a progressive “civilizing” of noble culture. Sandberg argues that southern French nobles engaged in warrior pursuits—social and cultural practices of violence designed to raise personal military forces and to wage civil warfare in order to advance various political and religious goals. Close relationships between the profession of arms, the bonds of nobility, and the culture of revolt allowed nobles to regard their violent performances as “heroic gestures” and “beautiful warrior acts.” Warrior nobles represented the key organizers of civil warfare in the early seventeenth century, orchestrating all aspects of the conduct of civil warfare—from recruitment to combat—according to their own understandings of their warrior pursuits. Building on the work of Arlette Jouanna and other historians of the nobility, Sandberg provides new perspectives on noble culture, state development, and civil warfare in early modern France. French historians and scholars of the Reformation and the European Wars of Religion will find Warrior Pursuits engaging and insightful.

The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910. Ambitious in scope, this volume offers a compelling narrative that effectively covers four decades of Bouchardon’s activity as a draftsman—from his departure for Rome in 1723 as an aspiring student to his death in Paris in 1762, by which time he was one of the most renowned artists in Europe. His accomplished and dynamic style is analyzed and copiously illustrated in a series of five interrelated chapters that serve as case studies, each of which focuses on a coherent group of drawings from a particular period of Bouchardon’s career.