One of the most controversial and romantic figures in American history, John C. Främont experienced a dizzying succession of public triumphs and humiliations. He made his name exploring the West, surveying, mapping, and describing the Rockies, the Great Basin, and Oregon country. Allan Nevins gives Främont full credit for his achievements as a topographer, soldier, and politician while noting how often his rashness attracted enemies and led to his downfall: to a court-martial for disobeying orders during the Bear Flag Rebellion, to a disastrous winter expedition in the San Juan Mountains, to his defeat as the first presidential candidate of the Republican party, to the loss of his Civil War command. Through sickness and health, poverty and wealth, his wife, the vivacious Jessie Benton Främont, stood by him. Their enduring romance occupies much more than the background in this absorbing story of his life. The dean of American historians, Allan Nevins won the Pulitzer Prize for his biographies of Grover Cleveland and Hamilton Fish.

A biography of John Charles Frémont (January 21, 1813 ? July 13, 1890), an American military officer, explorer, and the first candidate of the anti-slavery Republican Party for the office of President of the United States.

In Two Volumes. Volume 1, Fremont, The Explorer; Volume 2, Fremont In The Civil War.

Excerpt from Fremont, Pathmarker of the West, Vol. 2: Fremont in the Civil War They were not going out, however, as mere emigrants. Jes sie was accompanying him only as far west as Westport on the Missouri, when she would turn back and take a ship to California by the Panama route. F remont would meanwhile as sume command of a new exploring expedition to cross the Rockies by a southern pass. Nothing shows better the buoyant courage of the man than the fact that, a few months after the court-martial, he had organized his own fourth expedition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Since it was first published in 1952, Lincoln and His Generals has remained one of the definitive accounts of Lincoln’s wartime leadership. In it T. Harry Williams dramatizes Lincoln’s long and frustrating search for an effective leader of the Union Army and traces his transformation from a politician with little military knowledge into a master strategist of the Civil War. Explored in depth are Lincoln’s often fraught relationships with generals such as McClellan, Pope, Burnside, Hooker, Fremont, and of course, Ulysses S. Grant. In this superbly written narrative, Williams demonstrates how Lincoln’s persistent “meddling” into military affairs was crucial to the Northern war effort and utterly transformed the president’s role as commander-in-chief.

Everybody knows, and maybe even loves, a microgenre. Plague romances and mommy memoirs. Nudie-cutie movies, Nazi zombies, and dinosaur erotica. Baby burlesks, Minecraft fiction, grindcore, premature ejaculation poetry...microgenres come in all varieties and turn up in every form of media under the sun, tailor-made for enthusiasts of all walks of life. Coming into use in the last decade or so, the term "microgenre" classifies increasingly niche-marketed worlds in popular music, fiction, television, and the Internet. Netflix has recently highlighted our fascination with the ultra-niche genre with hilariously specific classifications -- “independent supernatural dramedy featuring a strong female lead” – that can sometimes hit a little too close to home. Each contribution in this collection introduces readers to a different microgenre, drawn from a range of historical periods and from a variety of media. The Microgenre presents a previously untreated point of cultural curiosity, revealing the profound truth that humanity's desire to classify is often only matched by the unsustainability of the obscure and hyper-specific. It also affirms, in colorful detail, what most people suspect but have trouble fathoming in an increasingly homogenized and commercial West: that imaginative projects are just that, imaginative, diverse, and sometimes completely and hilariously inexplicable.