Featuring new work from Rebecca Makkai, Aleksandar Hemon, Rachel Khong, Louise Erdrich, and more, the tenth and final installment of the boundary-pushing literary journal Freeman’s, which explores all the ways of coming to an end Over the course of ten years, Freeman’s has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, while in her poem “Amenorrhea,” Julia Alvarez experiences the end of a line as menstruation ceases. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta’s story “Fatu” confronts the end of a relationship under the specter of new life, other writers look towards aging as an opportunity for rebirth, such as Honorée Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story “Everyone at Dinner Has a Max von Sydow Story,” Dave Eggers suggests that sometimes stories don’t have neat or clean endings—that sometimes the middle is enough. With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad, and Mieko Kawakami, Freeman’s: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear, and promise.

"In the Shadow of Justice tells the story of how liberal political philosophy was transformed in the second half of the twentieth century under the influence of John Rawls. In this first-ever history of contemporary liberal theory, Katrina Forrester shows how liberal egalitarianism--a set of ideas about justice, equality, obligation, and the state--became dominant, and traces its emergence from the political and ideological context of the postwar United States and Britain. In the aftermath of the civil rights movement and the Vietnam War, Rawls's A Theory of Justice made a particular kind of liberalism essential to political philosophy. Using archival sources, Forrester explores the ascent and legacy of this form of liberalism by examining its origins in midcentury debates among American antistatists and British egalitarians. She traces the roots of contemporary theories of justice and inequality, civil disobedience, just war, global and intergenerational justice, and population ethics in the 1960s and '70s and beyond. In these years, political philosophers extended, developed, and reshaped this liberalism as they responded to challenges and alternatives on the left and right--from the New International Economic Order to the rise of the New Right. These thinkers remade political philosophy in ways that influenced not only their own trajectory but also that of their critics. Recasting the history of late twentieth-century political thought and providing novel interpretations and fresh perspectives on major political philosophers, In the Shadow of Justice offers a rigorous look at liberalism's ambitions and limits."--

The third literary anthology in the series that has been called ‘ambitious’ (O Magazine) and ‘strikingly international’ (Boston Globe), Freeman’s: Home, continues to push boundaries in diversity and scope, with stunning new pieces from emerging writers and literary luminaries alike. Viet Thanh Nguyen offers a haunting piece of fiction about those fleeing Vietnam after the war. Rabih Alameddine leaves his mother’s Beirut apartment to connect with Syrian refugees who are rebuilding a semblance of normalcy, even beauty. Nir Baram takes us on a journey to the West Bank. Gerald Murnane celebrates winning a literary prize named after his home town. Danez Smith explores everyday alienation in a poem about an encounter at a bus stop. Kerri Arsenault returns to the ailing mill town where she grew up, while Xiaolu Guo reflects on her childhood in a remote Chinese fishing village. Also including Thom Jones, Emily Raboteau, Rawi Hage, Barry Lopez, Herta Müller, Amira Hass and more— writers from around the world ask: what is it to build, leave, return to, lose, and love a home?

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

The Covid-19 pandemic forced many of us to reimagine our homes, work, relationships and adapt to a new way of life - one with far fewer possibilities for interaction. And yet, in this period of intense isolation, we've faced dilemmas which are nearly universal. How to love, to care for aging parents, to find a home, attend to a planet in flux, fight for justice. This vast range of experiences is captured by our greatest storytellers, essayists and poets in Freeman's: Change. Some pieces explore the small moments that serve as new routines in a life lived at home, as in Joshua Bennett's essay, where a Coltrane playlist sets the stage for early morning dances with his newborn son. Sometimes, it's the absence of change that drives us to the edge. In Lina Mounzer's 'The Gamble,' a father's incessant hope for a better life festers and sinks the whole family after they leave Lebanon during the Civil War. And in 'Final Days,' Sayaka Murata imagines a future without aging, where people must choose how and when they want to die, consulting guidebooks like Let's Die Naturally! Super Deaths for Adults & The Best Spots. With new writing from Julia Alvarez, Sandra Cisneros, Zahia Rahman, Yoko Ogawa, Yasmine El Rashidi, Lina Meruane and Aleksandar Hemon, and featuring work from never-before-published writers like Elizabeth Ayre, Freeman's: Change opens a window into the many-sided ways we adapt.

“A chronicle of one significant year in Christian history.” —Kirkus Reviews In A.D. 381, Theodosius, emperor of the eastern Roman empire, issued a decree in which all his subjects were required to subscribe to a belief in the Trinity of the Father, Son, and Holy Spirit. This edict defined Christian orthodoxy and brought to an end a lively and wide-ranging debate about the nature of God; all other interpretations were now declared heretical. It was the first time in a thousand years of Greco-Roman civilization free thought was unambiguously suppressed. Why has Theodosius’s revolution been airbrushed from the historical record? In this groundbreaking book, acclaimed historian Charles Freeman argues that Theodosius’s edict and the subsequent suppression of paganism not only brought an end to the diversity of religious and philosophical beliefs throughout the empire, but created numerous theological problems for the Church, which have remained unsolved. The year A.D. 381, as Freeman puts it, was “a turning point which time forgot.” “A well-argued and -documented study of the rise of the monotheistic state in the late Roman Empire and its aftereffects.” —Library Journal