"At the end of the Civil War, an escaped slave first returns to his old plantation and then walks across the ravaged South in search of his lost wife."--Provided by the publisher.

In this gripping prequel to his Edgar Award finalist and New York Times bestseller The Deep, Deep Snow, Brian Freeman takes us on Rebecca’s dark journey to reveal the truth about the Ursulina ... a journey that ultimately leads to an excruciating choice that will change her life forever. The mythical beast goes by many names. Bigfoot. Sasquatch. Yeti. In Black Wolf County, he’s called ... the Ursulina. But to Deputy Rebecca Colder, the beast is no myth. A serial killer has taken on the identity of the monster—and with each body left behind, there’s a chilling message written in blood: I am the Ursulina.

Award-winning standalone thriller from master of psychological suspense Brian Freeman about a small town rocked by the murder of a teenage girl. "Freeman proves once again he's a master of psychological suspense." --Lisa Gardner, #1 New York Times Bestselling Author "Suspense doesn't get more excruciating than this . . . Don't miss it." --Booklist, (Starred Review) On a March night outside the river town of Barron, Minnesota, three teenage girls gather in a ghost town to play a terrifying game of Russian roulette. By morning, one girl will be dead, and another in jail. Olivia Hawk claims she didn't pull the trigger on Ashlynn Steele, but no one believes her. Olivia's best hope is her estranged father, an attorney from the city, who she barely knows anymore. And if he's going to prove Olivia's innocence, he's going to have to learn everything about her public--and private--life, however much she might like to keep hidden.

The previously untold story of the violence in Congress that helped spark the Civil War In The Field of Blood, Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.

The majority of us would not necessarily define ourselves as artists. We're parents, students, businesspeople, friends. We're working hard, trying to make ends meet, and often longing for a little more--more time, more love, more security, more of a sense that there is more out there. The truth? We need not look around so much. God is within us and he wants to shine through us in a million little ways. A Million Little Ways uncovers the creative, personal imprint of God on every individual. It invites the discouraged parent, the bored Christian, the exhausted executive to look at their lives differently by approaching their critics, their jobs, and the kids around their table the same way an artist approaches the canvas--with wonder, bravery, and hope. In her gentle, compelling style, Emily Freeman encourages readers to turn down the volume on their inner critic and move into the world with the courage to be who they most deeply are. She invites regular people to see the artistic potential in words, gestures, attitudes, and relationships. Readers will discover the art in a quiet word, a hot dinner, a made bed, a grace-filled glance, and a million other ways of showing God to the world through the simple human acts of listening, waiting, creating, and showing up.

Originally published in hardcover in 2021 by Aladdin.

Mental health is . . . being yourself. A prescriptive and positive guide, illustrated with line drawings, making the case that mental well-being, like physical health, can be strengthened over time and with specific techniques We all want to feel less anxiety, guilt, anger and sadness. We want to obsess less and be less lonely, free ourselves from our demons, compulsive habits, and stress. But as humans (unlike rocks) we experience all of these. And paradoxically, trying to avoid and control them only makes things worse. Having struggled with serious mental illness for many years himself, Mark Freeman has become a dedicated mental-health advocate and coach. He makes the case that instead of trying to feel less and avoid pain and stress, we need to build emotional fitness, especially our capacity for strength, balance and focus. With wit, compassion, and depth of experience and anecdotes, he shows that we can recover from many mental disorders, from mild to very serious, at all ages and stages of life, and even if other methods have failed. Freeman's innovative approach makes use of a range of therapeutic techniques, mindfulness training, peer support, humor, and common sense.