An authoritative collection of writings from a prominent public intellectual.

In this richly detailed firsthand history of the contemporary Women's Liberation Movement (WLM), scholar-activist Carol Giardina argues against the prevalent belief that the movement grew out of frustrations over the male chauvinism experienced by WLM founders active in the Black Freedom Movement and the New Left. Instead, she contends, it was the ideas, resources, and skills that women gained in these movements that were the new and necessary catalysts for forging the WLM in the 1960s. Giardina uses a focused study of the WLM in Florida to tap into the common theory and history shared by a relatively small band of Women's Liberation founders across the country. Drawing on a wealth of interviews, autobiographical essays, organizational records, and published writings, Freedom for Women brings to light information that has been previously ignored in other secondary accounts about the leadership of African American women in the movement. It also explores activists' roots in other movements on the left. Comprehensive, serendipitous, and carefully formulated, Giardina's work is a vivid portrait of the people and events that shaped radical feminism.

Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were “new abolitionists,” but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through “projects” embedded in Freedom Houses, especially in the South: the setting for most of SNCC’s stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC’s responsibility to communities, to the “walking wounded” damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC’s Stories examines the organization’s print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC’s dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC’s writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC’s print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.

This is a transnational history of the activist and intellectual network that connected the Black freedom struggle in the United States to liberation movements across the globe in the aftermath of World War II. John Munro charts the emergence of an anticolonial front within the postwar Black liberation movement comprising organisations such as the National Association for the Advancement of Colored People, the Council on African Affairs and the American Society for African Culture and leading figures such as W. E. B. Du Bois, Claudia Jones, Alphaeus Hunton, George Padmore, Richard Wright, Esther Cooper Jackson, Jack O'Dell and C. L. R. James. Drawing on a diverse array of personal papers, organisational records, novels, newspapers and scholarly literatures, the book follows the fortunes of this political formation, recasting the Cold War in light of decolonisation and racial capitalism and the postwar history of the United States in light of global developments.

The story of the black freedom struggle in America has been overwhelmingly male-centric, starring leaders like Martin Luther King, Jr., Malcolm X, and Huey Newton. With few exceptions, black women have been perceived as supporting actresses; as behind-the-scenes or peripheral activists, or rank and file party members. But what about Vicki Garvin, a Brooklyn-born activist who became a leader of the National Negro Labor Council and guide to Malcolm X on his travels through Africa? What about Shirley Chisholm, the first black Congresswoman? From Rosa Parks and Esther Cooper Jackson, to Shirley Graham DuBois and Assata Shakur, a host of women demonstrated a lifelong commitment to radical change, embracing multiple roles to sustain the movement, founding numerous groups and mentoring younger activists. Helping to create the groundwork and continuity for the movement by operating as local organizers, international mobilizers, and charismatic leaders, the stories of the women profiled in Want to Start a Revolution? help shatter the pervasive and imbalanced image of women on the sidelines of the black freedom struggle. Contributors: Margo Natalie Crawford, Prudence Cumberbatch, Johanna Fernández, Diane C. Fujino, Dayo F. Gore, Joshua Guild, Gerald Horne, Ericka Huggins, Angela D. LeBlanc-Ernest, Joy James, Erik McDuffie, Premilla Nadasen, Sherie M. Randolph, James Smethurst, Margaret Stevens, and Jeanne Theoharis.

James Jackson and Esther Cooper Jackson grew up understanding that opportunities came differently for blacks and whites, men and women, rich and poor. In turn, they devoted their lives to the fight for equality, serving as career activists throughout the black freedom movement. Having grown up in Virginia during the depths of the Great Depression, the Jacksons also saw a path to racial equality through the Communist Party. This choice in political affiliation would come to shape and define not only their participation in the black freedom movement but also the course of their own marriage as the Cold War years unfolded. In this dual biography, Sara Rzeszutek examines the couple's political involvement as well as the evolution of their personal and public lives in the face of ever-shifting contexts. She documents the Jacksons' significant contributions to the early civil rights movement, discussing their time leading the Southern Negro Youth Congress, which laid the groundwork for youth activists in the 1960s; their numerous published writings in periodicals such as Political Affairs; and their editorial involvement in The Worker and the civil rights magazine Freedomways. Drawing upon a rich collection of correspondence, organizational literature, and interviews with the Jacksons themselves, Haviland follows the couple through the years as they bore witness to economic inequality, war, political oppression, and victory in the face of injustice. Her study reveals a portrait of a remarkable pair who lived during a transformative period of American history and whose story offers a vital narrative of persistence, love, and activism across the long arc of the black freedom movement.