Transcript of interviews by Indian freedom fighter and reminiscences of their association in the Indian freedom movement.

Remembering Independence explores the commemoration and remembrance of independence following the great wave of decolonisation after the Second World War. Drawing on case studies from Africa, Asia, and with reference to the Pacific, the authors find that remembering independence was, and still is, highly dynamic. From flag-raising moments to the present day, the transfer of authority from colonial rule to independent nation-states has served as a powerful mnemonic focal point. Remembering independence, in state as well as non-state constructions, connects to changing contemporary purposes and competing politic visions. Independence is a flexible idea, both a moment in time and a project, a carrier of hopes and ideals of social justice and freedom, but also of disappointments and frustrated futures. This richly illustrated volume draws attention to the broad range of media employed in remembering independence, ranging from museums and monuments to textual, oral and ritual formats of commemorative events, such as national days. Combining insights from history and anthropology, this book will be essential reading for all students of the history of empire, decolonisation, nation-building and post-colonial politics of memory.

This work focuses on one of the most critical periods in the history of post-colonial Africa: the euphoric and turbulent sixties when most countries on the continent won independence and were confronted with the harsh realities of nationhood including nation building and consolidation of institutions of authority as well as their sovereign status. It was a period of high expectations. But it was also a decade of military coups and assassinations, a phenomenon that persisted for decades although there were fewer coups in the 1990s and beyond contrasted with what took place in the previous years, especially the sixties and seventies when the largest number of military coups and assassinations of national leaders took place. The author addresses many subjects in an attempt to provide a comprehensive picture of Africa in the sixties, a defining moment and probably the most critical period in the post-colonial era. Everything that has taken place on the continent through the decades is somehow connected to what happened in the sixties. A complementary volume, Africa in The Sixties, addresses similar subjects.

In 1990, Fr. Michael Lapsley, an Anglican priest and monastic from New Zealand, exiled to Zimbabwe because of his anti-apartheid work in South Africa, opened a package and was immediately struck by the blast of an explosion. The bomb suspected to be the work of the apartheid-era South African secret police blasted away both his hands and one of his eyes. His memoir tells the story of this horrendous event, backing up to recount the journey that led him there particularly his rising awareness of the radical social implications of the gospel and his identification with the liberation struggle and then the subsequent journey of the last two decades. Returning to South Africa, Lapsley saw a whole nation damaged by the apartheid era. So he discovered his new vocation to become a wounded healer, drawing on his own experience to promote the healing of other victims of violence and trauma.

I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.

This is an ethnographic monograph that studies the memories of the 1947 Partition of India. It examines how survivors use the ideology of Hindu nationalism to rationalise the Partition's death and suffering.

An examination of women's work, rhetorical agency, and the construction of female reputation Before the full and honest tale of humanity can be told, it will be necessary to uncover the hidden roles of women in it and recover their voices from the forces that have diminished their contributions or even at times deliberately eclipsed them. The past half-century has seen women rise to claim their equal portion of recognition, and Remembering Women Differently addresses not only some of those neglected—it examines why they were deliberately erased from history. The contributors in this collection study the contributions of fourteen nearly forgotten women from around the globe working in fields that range from art to philosophy, from teaching to social welfare, from science to the military, and how and why those individuals became either marginalized or discounted in a mostly patriarchal world. These sterling contributors, scholars from a variety of disciplines—rhetoricians, historians, compositionists, and literary critics—employ feminist research methods in examining women's work, rhetorical agency, and the construction of female reputation. By recovering these voices and remembering the women whose contributions have made our civilization better and more whole, this work seeks to ensure that women's voices are never silenced again.