Bernard Mandeville was best known for The Fable of the Bees, in which he demolishes the supposed moral basis of society by a Hobbesian demonstration that civilization depends on vice. Today Mandeville is seen as a trenchant satirist of the manners and foibles of his age. He is also seen as a precursor of some of Adam Smith's doctrines, a forerunner in the field of sociology. A prescient analyst of the dynamics of our modern consumer society, Mandeville is author of a striking naturalistic account of the gradual evolution of modern society from its primitive antecedents. His literary signature, in a manner of speaking, is his famous paradox, "private vices, public benefits." This new edition of Free Thoughts is prefaced by a lengthy and informative introduction by Irwin Primer, who recreates not only the literary, political, and religious atmosphere surrounding Mandeville, but also the controversies that surrounded his writing in mid-eighteenth-century England. Primer includes textual notes on the first and second editions of this classic work. To understand Mandeville's Free Thoughts, one needs to situate it within the context of the religious and political controversies, ongoing subversion, fear and dormant warfare of his times. Those would eventually erupt again and for the last time in the bloody Jacobite rebellion of 1745-46. The first five chapters of the book explore religious and theological issues including the nature of belief and knowledge, the significance of rites and ceremonies, and controversies about Christian mysteries such as the Trinity and free will and predestination. The next five chapters explore controversial issues of church politics, including persecution and toleration across the centuries, the basis of Mandeville's anticlericalism. In the eleventh chapter, he turns aside from matters of religion to review the balance of powers in Britain's government, a mixed or limited monarchy. The final chapter is essentially a repetition of Mandeville's pleas for civil and religious peace through mutual toleration by opposing religious parties. Mandeville's work is of continuing interest to students of culture and history, religion and theology, and political science. Irwin Primer is professor emeritus at Rutgers University who has written widely on Mandeville and the Scottish tradition in philosophy.

Atheists generated widespread anxieties between the Reformation and the Enlightenment. In response to such anxieties a distinct genre of religious apologetics emerged in England between 1580 and 1720. By examining the form and the content of the confutation of atheism, Anti-Atheism in Early Modern England demonstrates the prevalence of patterned assumptions and arguments about who an atheist was and what an atheist was supposed to believe, outlines and analyzes the major arguments against atheists, and traces the important changes and challenges to this apologetic discourse in the early Enlightenment.

For centuries readers have admired the writer who wields his pen like a sword - an Aristophanes, a Rabelais, a Montaigne, a Swift. Using ribaldry, satire and irony in varying proportions, such writers pierce the thick, comfortable hide of society and uncover, predictably, the corruption and hypocrisy that characterize the life of man in commercial society. Though a lesser talent than any of these literary giants, Bernard Mande ville is nevertheless a member of their class. The crucial year in the emergence of his reputation was 1723, the year in which he added his controversial Essay on Charity and Charity-Schools to his Fable of the Bees. From that point on he became one of the most reviled targets of the public guardians of morality and religion; for some he appeared to be truly the Devil incarnate, Mandevil, as Fielding and others spelled it. This reputation was attached to his name well into the nineteenth centu ry. In a diary entry for June 1812 Henry Crabb Robinson recorded the following conversation with the elderly Mrs. Buller: "She received me with a smile, and allowed me to touch her hand. 'What are you reading, Mr. Robinson?' she said. 'The wickedest cleverest book in the English language, if you chance to know it. ' - 'I have known the "Fable of the Bees" more than fifty years. ' She was right in her guess.

Written in a lively and engaging style, and designed to be accessible to a broader audience, this collection combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire. There has been an explosion of interest in the 'Glorious' Revolution in recent years. Long regarded as the lesser of Britain's seventeenth-century revolutions, a faint after tremor following the major earthquake of mid-century, itis now coming to be seen as a major transformative episode in its own right, a landmark event which marked a distinctive break in British history. This collection sheds new light on the final crisis of the Stuart monarchy by re-examining the causes and implications of the dynastic shift of 1688-9 from a broad chronological, intellectual and geographical perspective. Comprising eleven essays by specialists in the field, it ranges from the 1660s to the mid-eighteenth century, deals with the history of ideas as well as political and religious history, and not only covers England, Scotland and Ireland but also explores the Atlantic and European contexts. Encompassing high politics and low politics, Tory and Whig political thought, and the experiences of both Catholics and Protestants, it ranges from protest and resistance to Jacobitism and counter-revolution and even offers an evaluation of British attitudes towards slavery. Written in a lively and engaging style and designed to be accessible to a broader audience, it combines new research with the latest scholarship to provide a fresh and invigorating introduction to the revolutionary period that transformed Britain and its empire. TIM HARRIS is Munro-Goodwin-Wilkinson Professor in European History at Brown University STEPHEN TAYLOR is Professor in the History of Early Modern England and Head of Department at Durham University.