T. Tertius Noble presents here a collection of free organ accompaniments similar to "Fifty Free Organ Accompaniments to Well-Known Hymn Tunes." These two books taken together cover the hymn repertoire common to all types of American churches. Each hymn tune is arranged with the hymn melody on a separate staff above Noble's original accompaniment arrangement notated on the grand staff (without a separate pedal staff). These are perfect for accompanying choirs, soloists, or in congregational settings.

T. Tertius Noble presents here a collection of free organ accompaniments similar to "Free Organ Accompaniments to One Hundred Well-Known Hymn Tunes." These two books taken together cover the hymn repertoire common to all types of American churches. Each hymn tune is arranged with the hymn melody on a separate staff above Noble's original accompaniment arrangement notated on the grand staff (without a separate pedal staff). These are perfect for accompanying choirs, soloists, or in congregational settings.

Originally published: New York: G. Schirmer, 1889.

Mr. Thewes has earned a reputation as a fine composer, as well as an arranger of hymns. This collection includes seven of the most popular and powerful hymns for the Thanksgiving season, or general use. These are designed for use with congregational singing, and each includes an introduction, standard verse, and interlude/modulation to a final verse accompaniment. A sure winner for every organist! Titles: * Now Thank We All Our God (Nun Danket) * We Gather Together (Kremser) * Come, Ye Thankful People, Come (St. George's Windsor) * For the Beauty of the Earth (Dix) * All Hail the Power of Jesus' Name (Coronation) * Onward Christian Soldiers (St. Gertrude) * Praise, My Soul, the King of Heaven (Lauda Anima).

A listing of organ settings, descants, and alternative harmonizations for the tunes of The Hymnal 1982 along with their publishers, volume location in a multi-volume work, or selection location in a collection, and level of difficulty. This book does not contain the music itself.