In Mariah Fredericks's Death of a Showman, the fourth in this absorbing series set in Gilded Age New York, lady’s maid Jane Prescott is thrust into the world of show business, where a killer is stalking Broadway. “A lively upstairs/downstairs mystery.”—New York Times Book Review on A Death of No Importance It is the summer of 1914 and lady’s maid Jane Prescott is back in New York with the Tylers after a glittering society wedding in Europe. On their return, Jane learns another wedding has taken place. Her old dancing partner, Leo Hirschfeld, has married a chorus girl in his new Broadway musical. Jane and Louise Tyler are pulled into the sparkling and scandalous world of Broadway, as a star struck Louise invests in Leo's show, and Jane chaperones her at rehearsals. But behind the glittering facade of the theater, there are rivalries, secret romances, and some very dodgy business practices. When the show's abusive producer, Sidney Warburton, is murdered, the list of suspects is long. Was it the comedic star or her gambler boyfriend? The disgruntled costume designer? The beautiful, blond dancer, her jealous husband? Or was it Leo himself, who had more reason than anyone to hate Sidney Warburton? As the First World war looms in the distance, Jane and tabloid reporter Michael Behan must strip back the masks of these consummate performers before one of them kills again.

Leo, Max, Jane, and Daisy don't have much in common. But when they all blow off their SAT prep in favor of forming their own study group, they actually begin to bond -- over why there's so much competition over a stupid test. And what it really measures, anyway. Then it's revealed that someone has cheated on the SATs, and all eyes point to the study group. Everyone knows that Leo can't stand to lose. That Max is convinced he's a loser. That Jane couldn't care less about the whole thing. And that if Daisy doesn't clinch the right score, forget it -- she can't afford to go to college. The pressure is on for the cheater to come forward. Who will fess up?

Death of an American Beauty is the third in Mariah Fredericks's compelling series, set in Gilded Age New York, featuring Jane Prescott. Jane Prescott is taking a break from her duties as lady’s maid for a week, and plans to begin it with attending the hottest and most scandalous show in town: the opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the fiftieth anniversary of Lincoln’s Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style. Dolly Rutherford, heiress to the glamorous Rutherford’s department store empire, has gathered her coterie of society ladies to put on a play—with Jane’s employer Louise Tyler in the starring role as Lincoln himself. Jane is torn between helping the ladies with their costumes and enjoying her holiday. But fate decides she will do neither, when a woman is found murdered outside Jane’s childhood home—a refuge for women run by her uncle. Deeply troubled as her uncle falls under suspicion and haunted by memories of a woman she once knew, Jane—with the help of old friends and new acquaintances, reporter Michael Behan and music hall pianist Leo Hirschfeld—is determined to discover who is making death into their own twisted art form.

This definitive, first full-scale biography of Olmsted--famed designer of New York's Central Park--reveals him also as a brilliant political and social reformer.

The startling facts of how millions of people suffer from hypoglycemia (low blood sugar) without knowing it.