This raw, moving novel follows two teenagers-one, a Mohawk-wearing 17-year-old violent misfit; the other, a gay 13-year-old cast out by his family, hustling on the streets and trying to survive. Acclaimed author Davida Wills Hurwin creates a riveting narrative told in alternating perspectives of their lives before and after the violent hate crime that changed both their futures. This tragic but ultimately inspirational journey of two polarized teens, their violent first meeting, and their peaceful reunion years later is an unforgettable story of survival and forgiveness. This story is inspired by the real lives of Matthew Boger and Timothy Zaal, who have shared their story on The Oprah Winfrey Show and NPR.

From the moment Bob Langmuir, a down-and-out rare book dealer, spies some intriguing photographs in the archive of a midcentury Times Square freak show, he knows he's on to something. It turns out he's made the find of a lifetime--never-before-seen prints by the legendary Diane Arbus. Furthermore, he begins to suspect that what he's found may add a pivotal chapter to what is now known about Arbus as well as about the "old weird America," in Greil Marcus's phrase, that Hubert's inhabited. Bob's ensuing adventure--a roller-coaster ride filled with bizarre characters and coincidences--takes him from the fringes of the rare book business to Sotheby's, and from the exhibits of a run-down Times Square freak show to the curator's office of the Metropolitan Museum of Art. Will the photos be authenticated? How will Arbus's notoriously protective daughter react? Most importantly, can Bob, who always manages to screw up his most promising deals, finally make just one big score?

Sam and Jules - everyone knows that when you see one, the other can't be far behind. Best friends for more than half their lives, the two are practically inseparable. And in the summer before their last year of high school, Sam and Jules are certain that whatever the future brings - college or professional dance careers or both - they'll be ready for it, sharing the triumphs and facing the tears together. But nothing could have prepared them for Jules's sudden illness and the discovery of its cause - cancer. Sam tries to be a true friend, supporting Jules during the weeks of testing and doctors and treatments, but the horrifying pain and indignities that Jules suffers, and the feeling that she has lost control over her own life, force Jules to a place where even Sam cannot follow. Now both Jules and Sam must learn to accept the unacceptable - that Jules's cancer may not go away. How each, in her own way, comes to face the possibility of Jules's death, and learns to celebrate her life, makes for a searingly honest, unforgettable novel.

"One of the 25 Greatest Rock Memoirs of All Time” --Rolling Stone Magazine (#8) “Sensitive and emotionally raw… it’s also wildly funny”--The New York Times Book Review A powerfully original memoir of pregnancy and mental illness by the legendary founder of the seminal rock band Throwing Muses, 'a magnificently charged union of Sylvia Plath and Patti Smith' - The Guardian Kristin Hersh was a preternaturally bright teenager, starting college at fifteen and with her band, Throwing Muses, playing rock clubs she was too young to frequent. By the age of seventeen she was living in her car, unable to sleep for the torment of strange songs swimming around her head - the songs for which she is now known. But just as her band was taking off, Hersh was misdiagnosed with schizophrenia. Rat Girl chronicles the unraveling of a young woman's personality, culminating in a suicide attempt; and then her arduous yet inspiring recovery, her unplanned pregnancy at the age of 19, and the birth of her first son. Playful, vivid, and wonderfully warm, this is a visceral and brave memoir by a truly original performer, told in a truly original voice.

A Harvard Dean with a perfect life discovers a dark side he never knew he had—or wanted—in this “sharp, moving, poignant” novel (The Washington Post Book World). Philip Tate is a man who has everything—youthful looks, a beautiful wife and loving family, and a distinguished deanship at Harvard. But a night-time drive will lead Philip to jeopardize everything in a moment’s flirtation with the forbidden. For on that drive he will meet the Kizers: beautiful, troubled Dixie and brilliant, kinky Hal. And by stepping into the Kizers’ house and into the midst of their sad marriage, Philip sets in motion the near ruin—and perhaps the salvation—of his entire world . . . In a “heavily ironic chronicle of professional success, inward misery, and middle-aged sexual guilt,” John L’ Heureux reminds us that sometimes—in both marriage and life—having everything is not enough (Publishers Weekly).

When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influenceeven something of a legendamong serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972along with the posthumous retrospective at The Museum of Modern Artoffered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbuss friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbuss photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

Even with a new best friend and a new boyfriend, Samantha has a hard time adjusting to life without her best friend Juliana, who died of cancer.