Society has long been fascinated with the freakish, shocking and strange. In this book Gary Cross shows how freakish elements have been embedded in modern popular culture over the course of the 20th century despite the evident disenchantment with this once widespread cultural outlet. Exploring how the spectacle of freakishness conflicted with genteel culture, he shows how the condemnation of the freak show by middle-class America led to a transformation and merging of genteel and freak culture through the cute, the camp and the creepy. Though the carnival and circus freak was marginalised by the 1960s and had largely disappeared by the 1980s, forms of freakish culture survived and today appear in reality TV, horror movies, dark comedies and the popularity of tattoos. Freak Show Legacies will focus less on the individual 'freak' as 'the other' in society, and more on the audience for the freakish and the transformation of wonder, sensibility and sensitivity that this phenomenon entailed. It will use the phenomenon of 'the freak' to understand the transformation of American popular culture across the 20th century, identify elements of 'the freak' in popular culture both past and present, and ask how it has prevailed despite its apparent unpopularity.

Five children are tricked into visiting a wonderfully magical island, which quickly becomes a hilarious and unexpected disaster. One small boy can save the day, if only he didn't have a gigantic bubble blowing out of his butt! 10-year-old Leo Wriggly lives with his mum and dad who are Professional Competition Winners. In one particularly lucky week, they win a trip for themselves and a trip for Leo to visit a brand new theme park called Friendly Island. As his parents depart, Leo's Aunt Margo arrives to babysit, but unlike his parents, she is a stickler for fine print and happily sends her nephew to Friendly Island 'where chronically misbehaving children are sent to correct their disgusting habits'. Leo arrives on the island with four other children. At first, it seems like Disneyland, there are dolphin rides and monkey safaris! But there's a catch. Each mealtime, the children are tricked into drinking a potion that transforms them. The girl who chewed her hair has grown a bird's nest on her head. The boy who picked his nose has had his brain fall out. Another child who swore too much can now only squawk like a parrot and another girl who stole money now has hands made of glue. And poor Leo Wriggly, whose only crime was to swallow gum, has MASSIVE pink bubbles coming out of his butt. Can this young boy save his friends before the island's Komodo dragon eats them all for supper?

This new, completely revised and updated edition contains a wealth of new material, excerpts from the author's diaries and private letters home about life in Hollywood. In 1967, 21-year-old Pauline Butcher was working for a London secretarial agency when a call came through from a Mr Frank Zappa asking for a typist.The assignment would change her life forever. For three years, Pauline served as Zappa's PA, moving with him, his family and the Mothers of Invention, to a log cabin in Laurel Canyon in the Hollywood Hills, where the 'straight' young English girl mixed with Oscar winners and rock royalty. Freak Out! is the captivating story of a naive young English girl thrust into the mad world of a musical legend as well as the most intimate portrait of Frank Zappa ever written.

Russell Senior is a man too smart to have ever been a pop star. And Pulp were too odd a band ever to have become so big. But we can only be grateful that he was, and they did – and that Freak Out the Squares tells the story in Russell’s inimitable, entertaining and fascinating way. The first account of life inside Pulp, Freak Out the Squares recounts the band’s origins in Sheffield to their glory days at the height of Britpop, revealing the story behind the anthem of a generation, “Common People”. The book gives a glimpse into the world of Britpop luminaries such as Blur, Elastica and Suede and charts Pulp’s 2011 reunion tour, which culminated in a triumphant Glastonbury performance. Freak Out the Squares is Russell’s exceptionally witty, unusual and enlightening account of the heady time of being a key member of Britpop’s best-loved and most enduringly relevant band.

This superb account of life on the Great Blasket Island off the west coast of Kerry, written as the nineteenth century draws to its close and the dawn of a new era trespasses on the lives of its small community, is both a shocking and captivating read. Here is the first complete translation of Tomás O'Crohan's autobiography An tOileánach, first published in 1929. This edition is based on Professor Sean O Coileain's definitive 2002 Irish language edition. It contains many passages omitted from the previous English language translation by Robin Flower from the 1930s, some of which were thought too earthy for the times. Tomás O'Crohan, a fisherman who, at around the age of forty, has taught himself to read and write in his own native tongue, depicts in unaffected, vivid language a very unforgiving landscape of human experience. The Islander reflects life as it was on the Blaskets, raw, real and extremely challenging.

Staging Stigma is a captivating excursion into the bizarre world of the American freak show. Chemers critically examines several key moments of a performance tradition in which the truth is often stranger than the fiction. Grounded in meticulous historical research and cultural criticism, Chemers analysis reveals untold stories of freaks that will change the way we understand both performance and disability in America. This book is a must-have for serious students of freakery or anyone who is curious about the hidden side of American theatrical history.

A reporter goes to the Caribbean to investigate the mysterious disappearance of hundreds of boats.