Mika's heart is broken, until he sees Leah. A smart, beautiful, and brave girl, Leah has been deaf since birth. When Mika meets her for the first time, he feels something electric. They cannot communicate much, so Mika decides to take a sign language course. His family and friends are skeptical, and Mika soon grows weary, too. The world of deaf people is so much different than his own. Can their two worlds intersect? There is also Sandra, Mika's ex-girlfriend, who he cannot seem to get over, but Mika cannot shake that Leah has captured his heart. Author Kathrin Schrocke tells the story of two teens and their tender, quirky, and extraordinary love.

It "s hard to control your destiny while you "re waiting for the bus. The trouble for Argus Kirkham began when a stranger pushed his way through a crowd at a bus stop and pressed a package into his hands. Inside the package were various random items . As Argus and his friends unraveled the clues, very strange things began to occur in this story of mystery and ghosts, a sequel to Snapdragon Alley

Mika's heart is broken, until he sees Leah. A smart, beautiful, and brave girl, Leah has been deaf since birth. When Mika meets her for the first time, he feels something electric. They cannot communicate much, so Mika decides to take a sign language course. His family and friends are skeptical, and Mika soon grows weary, too. The world of deaf people is so much different than his own. Can their two worlds intersect? There is also Sandra, Mika's ex-girlfriend, who he cannot seem to get over, but Mika cannot shake that Leah has captured his heart. Author Kathrin Schrocke tells the story of two teens and their tender, quirky, and extraordinary love.

There is growing recognition and understanding of music’s fundamentally spatial natures, with significances of space found both in the immediacy of musical practices and in connection to broader identities and ideas around music. Whereas previous publications have looked at connections between music and space through singular lenses (such as how they are linked to ethnic identities or how musical images of a city are constructed), this book sets out to explore intersections between multiple scales and kinds of musical spaces. It complements the investigation of broader power structures and place-based identities by a detailed focus on the moments of music-making and musical environments, revealing the mutual shaping of these levels. The book overcomes a Eurocentric focus on a typically narrow range of musics (especially European and North American classical and popular forms) with case studies on a diverse set of genres and global contexts, inspiring a range of ethnographic, text-based, historical, and practice-based approaches.

The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major addition to the literature of art, cultural criticism and feminist studies, Mary Russo re-examines the grotesque in the light of gender, exploring the works of Angela Carter David Cronenberg Bahktin Kristeva Freud Zizek. Mary Russo looks at the portrayal of the grotesque in Western culture and by combining the iconographic and the historical, locates the role of the woman's body in the discourse of the grotesque.