Influential Austrian artist, Franz West (1947-2012) had been writing texts, notes, remarks and aphorisms non-stop since 1977.He attached these texts to his sculptures, continuing the sculptural expression linguistically without illustrating or explaining.In places the titles, epithets and texts can raise awareness of the sculpture's form, in others they can drive the viewer mad or fascinate like the cryptograms of a lingual alchemist.Texts accompany Franz West's complete oeuvre. Thus far, more than 200 have been created and they are published here in their entirety for the first time in a newly edited form, as facsimiles and in transcriptions.The Franz West retrospective exhibition is taking place at Centre Pompidou, Paris (autumn/winter 2018), and at TATE Modern, London (spring/summer 2019).There was a major Franz West exhibition at The Hepworth Wakefield in 2014.

Franz West is widely considered to be one of Europe's most important contemporary artists, and he has reached that position without ever having needed to limit himself to a single medium or mode of expression. Like other artists who came of age in the midst of Conceptualism and Minimalism, his work has ranged widely and blurred the boundaries between art and life. The works showcased here, including autonomous sculpture and interactive pieces, were all made between 1972 and 1988, starting with the furniture with which he expanded our understanding of sculpture--a chair with a seat made of chains still stirs visceral reactions--and the photo-filled and always photogenic collages with which he seemed to join Pop. Early Work exemplifies the richness of West's early production, and Eva Badura-Triska's insightful essay traces through it the development of the theories and practices that continue to shape his work today.

Foreword by Glenn D. Lowry. Text by Roxana Marcoci.

The focus of this publication is Franz West's (1947-2012) Kombi-Werke installations, in which greatly differing individual pieces are brought together and then recomposed into new works. Gathering elements such as fittings, furniture, sculpture, videos and works on paper from all periods--and even works made by artist friends--into grand ensembles, the Kombi-Werke are without doubt key elements in West's legacy. An example is the three-part papier-mâché sculpture "Redundanz" its starting point is the gouache "Lost Weight" (1994), with its motif of a dieting woman showing her oversized pants. Omitting the "W," West transforms "Lost Weight" into "Lost Eight," in order to derive the title for a larger work, "Where Is my Eight?" With 250 color illustrations, this substantial and inspiring volume, and the exhibition it accompanies, were overseen by the artist himself, before his death in the summer of 2012.

This book, first published in 1980, provides both a broad review and detailed analysis of the major issues that had been affecting the changing relations between Moscow and the other European Communist parties. In discussing the Spanish, Italian, French and Scandinavian communist parties the individual contributors expose the weaknesses as well as the strengths of the parties, and analyse the ideological and sociological roots. This title will be of interest to students of politics.

A New York Times Notable Book and aSan Jose Mercury News Top 20 Nonfiction Book of 2003In 1606, approximately 105 British colonists sailed to America, seeking gold and a trade route to the Pacific. Instead, they found disease, hunger, and hostile natives. Ill prepared for such hardship, the men responded with incompetence and infighting; only the leadership of Captain John Smith averted doom for the first permanent English settlement in the New World.The Jamestown colony is one of the great survival stories of American history, and this book brings it fully to life for the first time. Drawing on extensive original documents, David A. Price paints intimate portraits of the major figures from the formidable monarch Chief Powhatan, to the resourceful but unpopular leader John Smith, to the spirited Pocahontas, who twice saved Smith’s life. He also gives a rare balanced view of relations between the settlers and the natives and debunks popular myths about the colony. This is a superb work of history, reminding us of the horrors and heroism that marked the dawning of our nation.

Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.