This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama. It is commonly assumed that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies, and chamber music, lacked comparable talent for drama. Challenging this view, Drama in the Music of Franz Schubert provides a timely re-evaluation of Schubert's operatic works, while demonstrating previously unsuspected locations of dramatic innovation in his vocal and instrumental music. The volume draws on a range of critical approaches and techniques, including semiotics, topic theory, literary criticism, narratology, and Schenkerian analysis, to situate Schubertian drama within its musical and cultural-historical context. In so doing, the study broadens the boundaries of what might be considered 'dramatic' within the composer's music and offers new perspectives for its analysis and interpretation. Drama in the Music of Franz Schubert will be of interest to musicologists, music theorists, composers, and performers, as well as scholars working in cultural studies, theatre, and aesthetics. JOE DAVIES is College Lecturer in Music at Lady Margaret Hall, University of Oxford. JAMES WILLIAM SOBASKIE is Associate Professor of Music at Mississippi State University. Contributors: Brian Black, Lorraine Byrne Bodley, Joe Davies, Xavier Hascher, Marjorie Hirsch, Anne Hyland, Christine Martin, Clive McClelland, James William Sobaskie, Lauri Suurpää, Laura Tunbridge, Susan Wollenberg, Susan Youens

CD enthält 20 Lieder von Schubert.

This book/CD package guides readers and listeners on a journey through Franz Schubert's Winterreise song cycle, in which the composer set the poetry of Wilhelm Muller to music. The complete text of the 24 poems is presented in both German and English, with 116 b&w photographs of winter scenes on the facing pages. An introductory essay by Susan Youens (musicology, U. of Notre Dame) offers a critical examination of the song cycle. The music CD features a new recording of Winterreise, performed by baritone Paul Rowe and pianist Martha Fischer. Oversize: 10.25x10.25". Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

In his short, tumultuous life, Franz Schubert (1797-1828) produced an astonishing amount of music. Symphonies, chamber music, opera, church music, and songs (more than 600 of them) poured forth in profusion. His "Trout" Quintet, his "Unfinished" Symphony, the last three piano sonatas, and above all his song cycles Die Schone Mullerin and Winterreise have come to be universally regarded as belonging to the very greatest works of music? Who was the man who composed this amazing succession of masterpieces, so many of which were either entirely ignored or regarded as failures during his lifetime? In this new biography, Elizabeth McKay paints a vivid portrait of Schubert and his world. She explores his family background, his education and musical upbringing, his friendships, and his brushes and flirtations with the repressive authorities of Church and State. She discusses his experience of the arts, literature, and theater, and his relations with the professional and amateur musical world of his day. She traces the way Schubert's manic-depression became an increasingly significant influence in his life, responsible at least in part for social inadequacies, professional ineptitude, and idiosyncrasies in his music. And she examines Schubert's decline after he contracted syphilis, looking at its effect on his music and emotional life.

Audiences as well as other artists have responded to Franz Schubert's music with passion, both during his time and in the past two centuries. Musicians, painters, writers, and filmmakers have all found a connection with him, integrating his music into their own works in ways that have given their works greater depth. Our Schubert: His Enduring Legacy examines Schubert and the ways audiences and artists_both his contemporaries and their descendents_relate to him, analyzing some of the uses of Schubert's music and providing an intimate portrait of the man. Divided into two parts, part one focuses on Schubert's own time, discussing many aspects of Schubert's life and the effects they had on his compositions, such as the special importance and personal function Schubert's songs held for the composer and their effect on his other works; his association with his contemporaries; and the subtleties of his political activism. Part two considers Schubert's legacy, investigating the composer's ability to arouse passion in other artists through the intervening years to the present. This fascinating study includes several photos as well as a select bibliography and discography that include the works discussed.

A thematic exploration of Schubert's style, applied in readings of his instrumental and vocal literature by international scholars.