She’s already got her resume, business cards, and mustard packets (which are so much more grown up than ketchup) ready. So why is it taking eleventeen hundred years? Frannie’s class is visiting the local radio station and the radio host is no where to be found. Should Frannie cover for him—after all, this could be her big break! But what happens when listeners call in with questions, and Frannie doesn’t know the answers?

She’s already got her resume, business cards, and mustard packets (which are so much more grown up than ketchup) ready. So why is it taking eleventeen hundred years? Frannie’s class is visiting the local radio station and the radio host is no where to be found. Should Frannie cover for him—after all, this could be her big break! But what happens when listeners call in with questions, and Frannie doesn’t know the answers?

Frannie has been named principal for the day and she couldn't be more excited! To spend the whole day in an office?-with a desk, a copier, and swivel chair, no less?-is beyond her wildest dreams! Pretty soon all these office supplies are making her a little punchy, and before she knows it she's accidentally setting off the fire alarm, which is no small offense. But as principal of her own school, does she get to come up with her own punishment?

When Frannie notices her aunt's dog limping, she sees it as her big break to be a vet, so it's off to the veterinarian's office, where she can showcase her doggy-diagnostic skills. But in true Frannie form, all she can pull off is a doggy disaster . . .

Somebody's getting married! Frannie has the important job of flower girl in her best friend Elliott's mother's wedding, and Frannie's new dog is the ring bearer! As Elliott's mother plans her wedding, Frannie discovers her latest calling: Wedding Planner! Frannie and Elliott work together to make sure his mother has the best wedding day ever, but with Frannie involved, you can count on some wedding-day mayhem.

In the vein of bestselling memoirs about mental illness like Andrew Solomon's Noonday Demon, Sarah Hepola's Blackout, and Daniel Smith's Monkey Mind comes a gorgeously immersive, immediately relatable, and brilliantly funny memoir about living life on the razor's edge of panic. The world never made any sense to Amanda Stern--how could she trust time to keep flowing, the sun to rise, gravity to hold her feet to the ground, or even her own body to work the way it was supposed to? Deep down, she knows that there's something horribly wrong with her, some defect that her siblings and friends don't have to cope with. Growing up in the 1970s and 80s in New York, Amanda experiences the magic and madness of life through the filter of unrelenting panic. Plagued with fear that her friends and family will be taken from her if she's not watching-that her mother will die, or forget she has children and just move away-Amanda treats every parting as her last. Shuttled between a barefoot bohemian life with her mother in Greenwich Village, and a sanitized, stricter world of affluence uptown with her father, Amanda has little she can depend on. And when Etan Patz disappears down the block from their MacDougal Street home, she can't help but believe that all her worst fears are about to come true. Tenderly delivered and expertly structured, Amanda Stern's memoir is a document of the transformation of New York City and a deep, personal, and comedic account of the trials and errors of seeing life through a very unusual lens.

Frannie's parents throw a party for Frannie with a fortune teller and Frannie finds her next new job: fortune teller, obviously! Frannie begins making up the fortunes of her friends at school and realizes that there is a difference between seeing the future and simply telling people what to do. After Frannie's customers start taking their fortunes too seriously by refusing to shower, do their chores, and even go to school, Frannie discovers that being psychic wasn’t her hidden talent after all. And that is not an opinion!