Tracing the history of the development of biological science and how it has been received by the public over two centuries, this book argues that the Frankenstein story governs much of today's debate about the onrushing new age of biotechnology.

Deals with the place of the monster in Western

Long before scientists at the Roslin Institute in Scotland cloned Dolly the sheep in 1996, American embryologist and aspiring cancer researcher Robert Briggs successfully developed the technique of nuclear transplantation using frogs in 1952. Although the history of cloning is often associated with contemporary ethical controversies, Forgotten Clones revisits the influential work of scientists like Briggs, Thomas King, and Marie DiBerardino, before the possibility of human cloning and its ethical implications first registered as a concern in public consciousness, and when many thought the very idea of cloning was experimentally impossible. By focusing instead on new laboratory techniques and practices and their place in Anglo-American science and society in the mid-twentieth century, Nathan Crowe demonstrates how embryos constructed in the lab were only later reconstructed as ethical problems in the 1960s and 1970s with the emergence of what was then referred to as the Biological Revolution. His book illuminates the importance of the early history of cloning for the biosciences and their institutional, disciplinary, and intellectual contexts, as well as providing new insights into the changing cultural perceptions of the biological sciences after Second World War.

Charles E. Robinson, Professor Emeritus of English at The University of Delaware, definitively transformed study of the novel Frankenstein with his foundational volume The Frankenstein Notebooks and, in nineteenth century studies more broadly, brought heightened attention to the nuances of writing and editing. Frankenstein and STEAM consolidates the generative legacy of his later work on the novel's broad relation to topics in science, technology, engineering, arts, and mathematics (STEAM). Seven chapters written by leading and emerging scholars pay homage to Robinson's later perspectives of the novel and a concluding postscript contains remembrances by his colleagues and students. This volume not only makes explicit the question of what it means to be human, a question Robinson invited students and colleagues to examine throughout his career, but it also illustrates the depth of the field and diversity of those who have been inspired by Robinson's work. Frankenstein and STEAM offers direction for continuing scholarship on the intersections of literature, science, and technology. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.

This title highlights Shelley's novel and the context in which she conceived it. It then focuses on the redefinition of the Frankenstein myth in popular culture. The final section examines the continuing power of the story to articulate present day concerns raised by developments in biomedicine.

This lively history of the Frankenstein myth, illuminated by dozens of pictures and illustrations, is told with skill and humor. Hitchcock uses film, literature, history, science, and even punk music to help readers understand the meaning of this monster made by man.

The Frankstein Condition is an engaging, self-deprecating and often funny look at our modern day tendency to construct our identities and expectations around what we see as the best of others. Much like Victor Frankenstein, we create our monsters from pieces of the people around us. People who we admire: celebrities, family, friends and social media. As with Victors creation, our monster is destructive and brings with it anxiety and depression. This book explores topics like: envy, jealousy, self-image, peer influence, drug shaming, self-medication and of course, monsters. This edition of The Frankenstein Condition includes the incredible illustrations of legendary artist Bernie Wrightson. They are taken from his 1983 Frankenstein adaptation of the original Frankenstein, written by Mary Shelley. It included an introduction by Stephen King and approximately 50 detailed pen-and-ink illustrations. Wrightson spent seven years on the illustrations for this passion project. He is also remembered for his work on illustrated versions of Stephen King books, creature design for Ghostbusters and the co-creation of the Swamp Thing.