With the release of Universal's 1931 movie, "Frankenstein," the story of Dr. Frankenstein's monster became an instantly recognizable cultural landmark. In this all-new novel inspired by the classic film, Stefan Petrucha introduces a new generation of fans to the famous fiend with a new spin on his story. In this take, Henry Frankenstein flees to London following his lab's explosion. The monster follows, but winds up being mistaken for a disfigured mental case and befriended by local prostitutes. When one of the whores is horribly murdered, the creature roams the area, trying to protect the survivors. This brings him in contact with the real killer, Jack the Ripper. Seeing in the reanimated corpse of the monster a possible way to live forever, the aging Ripper schemes to frame him for the killings and force Henry to reveal the secrets of life and death. Petrucha's lively story and memorable characters make this a riveting read.

The most infamous doctor of the Gothic Era once again delves into the forbidden secrets of the world, when literature's most famous creature lives again . . . Frankenstein . . . His very name conjures up images of plundered graves, secret laboratories, electrical experiments, and reviving the dead. Within these pages, the maddest doctor of them all and his demented disciples once again delve into the Secrets of Life, as science fiction meets horror when the world's most famous creature lives again. Here are collected together for the first time twenty-four electrifying tales of cursed creation that are guaranteed to spark your interest—with classics from the pulp magazines by Robert Bloch and Manly Wade Wellman, modern masterpieces from Ramsey Campbell, Dennis Etchison, Karl Edward Wagner, David J. Schow, and R. Chetwynd-Hayes, and new contributions from Graham Masterton, Basil Copper, John Brunner, Guy N. Smith, Kim Newman, Paul J. McAuley, Roberta Lannes, Michael Marshall Smith, Daniel Fox, Adrian Cole, Nancy Kilpatrick, Brian Mooney and Lisa Morton. Plus, you're sure to get a charge from three complete novels: The Hound of Frankenstein by Peter Tremayne, The Dead End by David Case, and Mary W. Shelley's original masterpiece Frankenstein; or, The Modern Prometheus. As an electrical storm rages overhead, the generators are charged up, and beneath the sheet a cold form awaits its miraculous rebirth. Now it's time to throw that switch and discover all that Man Was Never Meant to Know.

In Victor Frankenstein, the Monster and the Shadows of Technology: The Frankenstein Prophecies, Romanyshyn asks eight questions that uncover how Mary Shelley’s classic work Frankenstein haunts our world. Providing a uniquely interdisciplinary assessment, Romanyshyn combines Jungian theory, literary criticism and mythology to explore answers to the query at the heart of this book: who is the monster? In the first six questions, Romanyshyn explores how Victor’s story and the Monster’s tale linger today as the dark side of Frankenstein’s quest to create a new species that would bless him as its creator. Victor and the Monster are present in the guises of climate crises, the genocides of our "god wars," the swelling worldwide population of refugees, the loss of place in digital space, the Western obsession with eternal youth and the eclipse of the biological body in genetic and computer technologies that are redefining what it means to be human. In the book’s final two questions, Romanyshyn uncovers some seeds of hope in Mary Shelley’s work and explores how the Monster’s tale reframes her story as a love story. This important book will be essential reading for academics and students of Jungian and post-Jungian theory, literature, philosophy and psychology, psychotherapists in practice and in training, and for all who are concerned with the political, social and cultural crises we face today.

Frankenstein; or, The Modern Prometheus is a novel written by the British author Mary Shelley. The first edition was published anonymously in London in 1818, and Shelley's name appeared on the revised third edition, published in 1831. The title of the novel refers to the scientist, Victor Frankenstein, who learns how to create life and creates a being in the likeness of man, but larger than average and more powerful. In modern popular culture, people have tended to refer to the Creature as "Frankenstein" (especially in films since 1931), despite this being the name of the scientist, and the creature being unnamed in the book itself. Frankenstein is a novel infused with elements of the Gothic novel and the Romantic movement. It was also a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus. The story has had an influence across literature and popular culture and spawned a complete genre of horror stories and films. It is arguably considered the first fully-realised science fiction novel and raises many issues still relevant to today's society.

This book surveys the early history of one of our most important modern myths: the story of Frankenstein and the monster he created from dismembered corpses, as it appeared in fictional and other writings before its translation to the cinema screen. It examines the range of meanings whichMary Shelley's Frankenstein offers in the light of the political images of `monstrosity' generated by the French Revolution. Later chapters trace the myth's analogues and protean transformations in subsequent writings, from the tales of Hoffmann and Hawthorne to the novels of Dickens, Melville,Conrad, and Lawrence, taking in the historical and political writings of Carlyle and Marx as well as the science fiction of Stevenson and Wells. The author shows that while the myth did come to be applied metaphorically to technological development, its most powerful associations have centred onrelationships between people, in the family, in work, and in politics.

Frankenstein is a deeply disturbing story of a monstrous creation, which has terrified and chilled readers since its first publication in 1818.

Tragedy has forced sixteen-year-old Victor Frankenstein to swear off alchemy forever. He burns the Dark Library. He vows he will never dabble in the dark sciences again, just as he vows he will no longer covet Elizabeth, his brother's betrothed. If only these things were not so tempting